{"id":2,"date":"2021-12-14T10:00:19","date_gmt":"2021-12-14T10:00:19","guid":{"rendered":"https:\/\/dlf.uzh.ch\/sites\/spoiltheconference\/?page_id=2"},"modified":"2022-03-19T11:40:35","modified_gmt":"2022-03-19T11:40:35","slug":"programm","status":"publish","type":"page","link":"https:\/\/dlf.uzh.ch\/sites\/spoiltheconference\/programm\/","title":{"rendered":"Program"},"content":{"rendered":"\r\n<table style=\"border: solid 1px;border-collapse: collapse;border-bottom: 1px solid;border-right: 1px solid\">\r\n<tbody>\r\n<tr>\r\n<td class=\"table-left\"><strong>Thu, March 17<\/strong><\/td>\r\n<td class=\"table-right\">\u00a0<\/td>\r\n<\/tr>\r\n<tr>\r\n<td class=\"table-left\" rowspan=\"2\">12.00\u201313.30 CET<br \/>(7.00\u20138.30 EST)<\/td>\r\n<td class=\"table-right\"><strong>Opening<\/strong><br \/>Natalie Borsy, Christine L\u00f6tscher, Simon Spiegel<\/td>\r\n<\/tr>\r\n<tr>\r\n<td class=\"table-right even last\">Simon Spiegel CH<br \/><em>Unspoiled Thoughts on Spoilers<\/em><\/td>\r\n<\/tr>\r\n<tr>\r\n<td class=\"table-left\">13.30\u201314.00<\/td>\r\n<td class=\"table-right\"><strong>Break<\/strong><\/td>\r\n<\/tr>\r\n<tr>\r\n<td class=\"table-left\" rowspan=\"4\">14.00\u201315.45<\/td>\r\n<td class=\"table-right odd\"><strong>Panel 1<\/strong><br \/><em><strong>Spoiling Literature<\/strong><\/em><br \/>Chair:\u00a0Christine L\u00f6tscher<\/td>\r\n<\/tr>\r\n<tr>\r\n<td class=\"table-right even\"><a href=\"https:\/\/dlf.uzh.ch\/sites\/spoiltheconference\/vortragende#ruf\">Oliver Ruf DE<\/a><br \/><em>Spoiler Aesthetics. On the Normalization of a Paratextual Form<\/em><\/td>\r\n<\/tr>\r\n<tr>\r\n<td class=\"table-right odd\"><a href=\"https:\/\/dlf.uzh.ch\/sites\/spoiltheconference\/vortragende#green\">James Aaron Green AT<\/a><br \/><em>\u2018Telling [The] Story Second-Hand\u2019. Victorian Sensation Fiction and the Pre-History of the Spoiler<\/em><\/td>\r\n<\/tr>\r\n<tr>\r\n<td class=\"table-right even last\"><a href=\"https:\/\/dlf.uzh.ch\/sites\/spoiltheconference\/vortragende#steglich\">Dana Steglich DE<\/a><br \/><em>Spoil the Classics. Plot and the Assessment of Capital \u2018L\u2019 Literature<\/em><\/td>\r\n<\/tr>\r\n<tr>\r\n<td class=\"table-left\">15.45\u201316.15<\/td>\r\n<td class=\"table-right\"><strong>Break<\/strong><\/td>\r\n<\/tr>\r\n<tr>\r\n<td class=\"table-left\" rowspan=\"3\">16.15\u201317.30<\/td>\r\n<td class=\"table-right odd\"><strong>Panel 2<\/strong><br \/><em><strong>Spoilers in Film and Film Criticism<\/strong><\/em><br \/>Chair: Simon Spiegel<\/td>\r\n<\/tr>\r\n<tr>\r\n<td class=\"table-right even\"><a href=\"https:\/\/dlf.uzh.ch\/sites\/spoiltheconference\/vortragende#smolinski\">Sebastian Smoli\u0144ski PL<\/a><br \/><em>Summary First: Film Criticism and Managing Spoilers in the Studio System<\/em><\/td>\r\n<\/tr>\r\n<tr>\r\n<td class=\"table-right odd\"><a href=\"https:\/\/dlf.uzh.ch\/sites\/spoiltheconference\/vortragende#stiglegger\">Stiglegger, Marcus DE<\/a><br \/><em>\u2018Performative iPhone Cinema\u2019, Can Feature Films and Series Resist Spoiler Damage?<\/em><\/td>\r\n<\/tr>\r\n<tr>\r\n<td class=\"table-left\">17.30\u201319.00<\/td>\r\n<td class=\"table-right\"><strong>Break<\/strong><\/td>\r\n<\/tr>\r\n<tr>\r\n<td class=\"table-left\">19.00\u201321.00<\/td>\r\n<td class=\"table-right\"><strong>Roundtable<\/strong><br \/><strong><em>Professional Conduct with Spoilers<\/em><\/strong><br \/>Chair: Christine L\u00f6tscher<br \/><a href=\"https:\/\/dlf.uzh.ch\/sites\/spoiltheconference\/vortragende#gronhoff\">Julia Gronhoff DE<\/a><br \/><a href=\"https:\/\/dlf.uzh.ch\/sites\/spoiltheconference\/vortragende#meindl\">Michael J. Meindl US<\/a><br \/><a href=\"https:\/\/dlf.uzh.ch\/sites\/spoiltheconference\/vortragende#sennhauser\">Michael Sennhauser CH<\/a><br \/><a href=\"https:\/\/dlf.uzh.ch\/sites\/spoiltheconference\/vortragende#smith\">Anna Smith UK<\/a><br \/><a href=\"https:\/\/dlf.uzh.ch\/sites\/spoiltheconference\/vortragende#wolff\">Eberhard Wolff CH<\/a><\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<table style=\"border: solid 1px;border-collapse: collapse;border-bottom: 1px solid;border-right: 1px solid\">\r\n<tbody>\r\n<tr>\r\n<td class=\"table-left\"><strong>Fri, March 18<\/strong><\/td>\r\n<td class=\"table-right\">\u00a0<\/td>\r\n<\/tr>\r\n<tr>\r\n<td class=\"table-left\" rowspan=\"4\">13.00\u201314.45 CET<br \/>(8.00\u20139.30 EST)<\/td>\r\n<td class=\"table-right odd\"><strong>Panel 3<\/strong><br \/><em><strong>Spoiled Narrations<\/strong><\/em><br \/>Chair: Simon Spiegel<\/td>\r\n<\/tr>\r\n<tr>\r\n<td class=\"table-right even\"><a href=\"https:\/\/dlf.uzh.ch\/sites\/spoiltheconference\/vortragende#bruetsch\">Matthias Br\u00fctsch CH<\/a><br \/><em>Plot Points, Twists and Spoilers: Notes on the Dramatic Impact of Withholding and Revealing Narrative Information in Films and TV Series <\/em><\/td>\r\n<\/tr>\r\n<tr>\r\n<td class=\"table-right odd\"><a href=\"https:\/\/dlf.uzh.ch\/sites\/spoiltheconference\/vortragende#kristjansen\">Thomas Kristjansen DK<\/a><br \/><em>Spoilers as Worldbuilding and Worldbuilding as Spoilers in Fantasy Fiction<\/em><\/td>\r\n<\/tr>\r\n<tr>\r\n<td class=\"table-right even last\"><a href=\"https:\/\/dlf.uzh.ch\/sites\/spoiltheconference\/vortragende#hain\">Milan Hain CZ<\/a><br \/><em>To Tell or Not to Tell: The Rhetorical Strategies in Trailers for Films with a Surprise Twist<\/em><\/td>\r\n<\/tr>\r\n<tr>\r\n<td class=\"table-left\">14.45\u201315.15<\/td>\r\n<td class=\"table-right\"><strong>Break<\/strong><\/td>\r\n<\/tr>\r\n<tr>\r\n<td class=\"table-left\" rowspan=\"3\">15.15\u201316.30<\/td>\r\n<td class=\"table-right odd\"><strong>Panel 4<\/strong><br \/><em><strong>Spoiling Games<\/strong><\/em> <br \/>Chair:\u00a0Christine L\u00f6tscher<\/td>\r\n<\/tr>\r\n<tr>\r\n<td class=\"table-right odd\"><a href=\"https:\/\/dlf.uzh.ch\/sites\/spoiltheconference\/vortragende#rauscher\">Andreas Rauscher DE<\/a><br \/><em>Playing with the Plot Twist<\/em><\/td>\r\n<\/tr>\r\n<tr>\r\n<td class=\"table-right odd\"><a href=\"https:\/\/dlf.uzh.ch\/sites\/spoiltheconference\/vortragende#unterhuber\">Tobias Unterhuber AT<\/a><br \/><em>Spoil the Game, Shatter the World \u2013 Spoilers in Games and Play<\/em><\/td>\r\n<\/tr>\r\n<tr>\r\n<td class=\"table-left\">16.30\u201317.00<\/td>\r\n<td class=\"table-right\"><strong>Break<\/strong><\/td>\r\n<\/tr>\r\n<tr>\r\n<td class=\"table-left\">17.00\u201318.30<\/td>\r\n<td class=\"table-right\"><strong>Keynote 1 <\/strong><br \/><a href=\"https:\/\/dlf.uzh.ch\/sites\/spoiltheconference\/vortragende#koschorke\">Albrecht Koschorke DE<\/a><br \/><em>Some Notes on Suspense<\/em> <br \/>Chair:\u00a0Christine L\u00f6tscher<\/td>\r\n<\/tr>\r\n<tr>\r\n<td class=\"table-left\">20.00<\/td>\r\n<td class=\"table-right odd\"><a class=\"lunk\" href=\"https:\/\/kosmos.ch\/programm\/veranstaltungen\/memento-wo-spoilern-pflicht-ist\/0000000001-9999000492#details\"><strong>MEMENTO \u2013 WHERE SPOILERS ARE MANDATORY<\/strong><\/a><br \/>In-person event at <a href=\"http:\/\/kosmos.ch\/\">KOSMOS, Zurich<\/a><\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<table style=\"border: solid 1px;border-collapse: collapse;border-bottom: 1px solid;border-right: 1px solid\">\r\n<tbody>\r\n<tr>\r\n<td class=\"table-left\"><strong>Sat, March 19<\/strong><\/td>\r\n<td class=\"table-right\">\u00a0<\/td>\r\n<\/tr>\r\n<tr>\r\n<td class=\"table-left\">12.00\u201313.30 CET<br \/>(7.00\u20138.30 EST)<\/td>\r\n<td class=\"table-right\"><strong>Keynote 2 <\/strong><br \/><a href=\"https:\/\/dlf.uzh.ch\/sites\/spoiltheconference\/vortragende#rosenbaum\">Judith E. Rosenbaum US<\/a><br \/><em>Spoilers and the Narrative Experience: Lessons from Ten Years of Empirical Research<\/em> <br \/>Chair:\u00a0Simon Spiegel<\/td>\r\n<\/tr>\r\n<tr>\r\n<td class=\"table-left\">13.30\u201314.00<\/td>\r\n<td class=\"table-right\"><strong>Break<\/strong><\/td>\r\n<\/tr>\r\n<tr>\r\n<td class=\"table-left\" rowspan=\"4\">14.00\u201315.45<\/td>\r\n<td class=\"table-right odd\"><strong>Panel 5<\/strong><br \/><em><strong>Spoiled Audiences<\/strong><\/em> <br \/>Chair: Simon Spiegel<\/td>\r\n<\/tr>\r\n<tr>\r\n<td class=\"table-right even\"><a href=\"https:\/\/dlf.uzh.ch\/sites\/spoiltheconference\/vortragende#bumstead\">Andrew Bumstead US<\/a><br \/><em>Spoiling <em class=\"Film\">Survivor<\/em>: Edgic, Knowledge Communities, and Narrative Pleasure <\/em><\/td>\r\n<\/tr>\r\n<tr>\r\n<td class=\"table-right odd\"><a href=\"https:\/\/dlf.uzh.ch\/sites\/spoiltheconference\/vortragende#wagner\">Wendy Wagner US<\/a><br \/><em>Spoiling for Love: The Influence of Shipping on Spoiler Seeking Among Television Fans<\/em><\/td>\r\n<\/tr>\r\n<tr>\r\n<td class=\"table-right even last\"><a href=\"https:\/\/dlf.uzh.ch\/sites\/spoiltheconference\/vortragende#hong\">Tiffany Hong US<\/a><br \/><em>Love Persevering: Televisual Homage, Mephisto, and the American Sitcom Family in <em class=\"Film\">WandaVision<\/em><\/em><\/td>\r\n<\/tr>\r\n<tr>\r\n<td class=\"table-left\">15.45\u201316.15<\/td>\r\n<td class=\"table-right\"><strong>Break<\/strong><\/td>\r\n<\/tr>\r\n<tr>\r\n<td class=\"table-left\">16.15\u201317.45<\/td>\r\n<td class=\"table-right\"><strong>Keynote 3 <\/strong><br \/><a href=\"https:\/\/dlf.uzh.ch\/sites\/spoiltheconference\/vortragende#busse\">Kristina Busse US<\/a><br \/><em>Spoiler Warnings: Negotiating Originality, Genre Expectation, and the Enjoyment of Repetition<\/em> <br \/>Chair: Christine L\u00f6tscher<\/td>\r\n<\/tr>\r\n<tr>\r\n<td class=\"table-left\">17.45\u201318.00<\/td>\r\n<td class=\"table-right\"><strong>Closing of Conference<\/strong><\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<p>&nbsp;<\/p>\r\n","protected":false},"excerpt":{"rendered":"<p>Thu, March 17 \u00a0 12.00\u201313.30 CET(7.00\u20138.30 EST) OpeningNatalie Borsy, Christine L\u00f6tscher, Simon Spiegel Simon Spiegel CHUnspoiled Thoughts on Spoilers 13.30\u201314.00 Break 14.00\u201315.45 Panel 1Spoiling LiteratureChair:\u00a0Christine L\u00f6tscher Oliver Ruf DESpoiler Aesthetics. On the Normalization of a Paratextual Form James Aaron Green AT\u2018Telling [The] Story Second-Hand\u2019. Victorian Sensation Fiction and the Pre-History of the Spoiler Dana Steglich&hellip;&nbsp;<a href=\"https:\/\/dlf.uzh.ch\/sites\/spoiltheconference\/programm\/\" rel=\"bookmark\">Weiterlesen &raquo;<span class=\"screen-reader-text\">Program<\/span><\/a><\/p>\n","protected":false},"author":476,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"off","neve_meta_content_width":100,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","footnotes":""},"class_list":["post-2","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/dlf.uzh.ch\/sites\/spoiltheconference\/wp-json\/wp\/v2\/pages\/2","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dlf.uzh.ch\/sites\/spoiltheconference\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/dlf.uzh.ch\/sites\/spoiltheconference\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/dlf.uzh.ch\/sites\/spoiltheconference\/wp-json\/wp\/v2\/users\/476"}],"replies":[{"embeddable":true,"href":"https:\/\/dlf.uzh.ch\/sites\/spoiltheconference\/wp-json\/wp\/v2\/comments?post=2"}],"version-history":[{"count":71,"href":"https:\/\/dlf.uzh.ch\/sites\/spoiltheconference\/wp-json\/wp\/v2\/pages\/2\/revisions"}],"predecessor-version":[{"id":595,"href":"https:\/\/dlf.uzh.ch\/sites\/spoiltheconference\/wp-json\/wp\/v2\/pages\/2\/revisions\/595"}],"wp:attachment":[{"href":"https:\/\/dlf.uzh.ch\/sites\/spoiltheconference\/wp-json\/wp\/v2\/media?parent=2"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}