{"id":894,"date":"2018-05-21T00:16:08","date_gmt":"2018-05-20T22:16:08","guid":{"rendered":"http:\/\/www.phil.uzh.ch\/elearning\/blog\/slavicumpress\/?p=894"},"modified":"2025-12-09T22:43:49","modified_gmt":"2025-12-09T21:43:49","slug":"tudentische-konferenz-das-absurde-in-literatur-kunst-und-kino-25-26-mai-2018","status":"publish","type":"post","link":"https:\/\/dlf.uzh.ch\/sites\/slavicumpress\/2018\/05\/21\/tudentische-konferenz-das-absurde-in-literatur-kunst-und-kino-25-26-mai-2018\/","title":{"rendered":"Studentische Konferenz «Das Absurde in Literatur, Kunst und Kino» (25.-26. Mai 2018)"},"content":{"rendered":"

 <\/p>\n

Das Absurde in Literatur, Kunst und Kino (25.-26. Mai 2018)<\/strong>
\n\u200bStudentische Konferenz<\/p>\n

Organizers: Slavisches Seminar UZH, SlavicumPress UZH, Digitale Lehre und Forschung PhF UZH
\nCo-Organizers: University of Lausanne, University of Constance; Institute of Slavic Philology (LMU Munich); Faculty of Humanities and Social Sciences, University of Zagreb; University of Belgrade; Faculty of Philology; South Ural State University, Ablaj-Khan-Universit\u00e4t f\u00fcr Internationale Beziehungen und Weltsprachen of Kasachstan<\/p>\n

Programme<\/strong><\/p>\n

Friday, Mai 25th 2018 (Kleine Aula, RAA-G-1)<\/strong>
\n9.40-10-10 Conference registration
\n10.00- 10.10 Conference opening (Sonja Ulrich, Anita Ch. Holdener&Team Digitale Lehre und Forschung PhF, Olga Burenina-Petrova)
\n10.15-10.20 Musical introduction by Samira M\u00fcller (University of Zurich): Excerpt from Yuri Kornakov’s Waltz-Caprice for bassoon and fortepiano
\n10.20-11.20
\nSektion 1 (Linda Morf, University of Zurich, Valeria Rukavina, University of Zurich)
\nVasilisa \u0160ljivar (University of Belgrad): Vladimir Kazakov – goldesmith of moments \/\/ \u0412\u043b\u0430\u0434\u0438\u043c\u0438\u0440 \u041a\u0430\u0437\u0430\u043a\u043e\u0432 – \u044e\u0432\u0435\u043b\u0438\u0440 \u043c\u0433\u043d\u043e\u0432\u0435\u043d\u0438\u0439.
\nDanijela Kovacec (University of Zagreb) Subjectivity, poetic paradox and nonsense in poetry of Lyudmila Petrushevskaya \/\/ \u0421\u0443\u0431\u044a\u0435\u043a\u0442\u0438\u0432\u043d\u043e\u0441\u0442\u044c, \u043b\u0438\u0440\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u043f\u0430\u0440\u0430\u0434\u043e\u043a\u0441 \u0438 \u0431\u0435\u0441\u0441\u043c\u044b\u0441\u043b\u0438\u0446\u0430 \u0432 \u043f\u043e\u044d\u0437\u0438\u0438 \u041b\u044e\u0434\u043c\u0438\u043b\u044b \u041f\u0435\u0442\u0440\u0443\u0448\u0435\u0432\u0441\u043a\u043e\u0439
\nArtiom Christen (University of Zurich): Absurdity in the literature of Russian Futurism. A play by Vladimir Mayakovsky «The Bedbug» \/\/ \u0410\u0431\u0441\u0443\u0440\u0434 \u0432 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0435 \u0440\u0443\u0441\u0441\u043a\u043e\u0433\u043e \u0444\u0443\u0442\u0443\u0440\u0438\u0437\u043c\u0430. \u041f\u044c\u0435\u0441\u0430 \u0412\u043b\u0430\u0434\u0438\u043c\u0438\u0440\u0430 \u041c\u0430\u044f\u043a\u043e\u0432\u0441\u043a\u043e\u0433\u043e \u00ab\u041a\u043b\u043e\u043f\u00bb
\nMaria Cnaub (University of Constance). If you chew the food carefully, you will help the society», or the embodiment of absurdity through food in the novels: «Master and Margarita» by M. Bulgakov and «12 Chairs» by E. I.Ilf and Evg. Petrov \/ \u0422\u0449\u0430\u0442\u0435\u043b\u044c\u043d\u043e \u043f\u0435\u0440\u0435\u0436\u0435\u0432\u044b\u0432\u0430\u044f \u043f\u0438\u0449\u0443, \u0442\u044b \u043f\u043e\u043c\u043e\u0433\u0430\u0435\u0448\u044c \u043e\u0431\u0449\u0435\u0441\u0442\u0432\u0443: \u043f\u043e\u044d\u0442\u0438\u043a\u0430 \u0430\u0431\u0441\u0443\u0440\u0434\u0430 \u0432 \u0440\u043e\u043c\u0430\u043d\u0435 \u041c. \u0411\u0443\u043b\u0433\u0430\u043a\u043e\u0432\u0430 \u00ab\u041c\u0430\u0441\u0442\u0435\u0440 \u0438 \u041c\u0430\u0440\u0433\u0430\u0440\u0438\u0442\u0430\u00bb \u0438 \u0440\u043e\u043c\u0430\u043d\u0435 \u0418.\u0418\u043b\u044c\u0444\u0430 \u0438 \u0415. \u041f\u0435\u0442\u0440\u043e\u0432\u0430 \u00ab12 \u0441\u0442\u0443\u043b\u044c\u0435\u0432\u00bb
\nBREAK 11.20-11.40
\n11.40-12.40
\nSektion 2 (Louise D\u00e9caillet, University of Geneva \/ University of Zurich), Anna Medzhydova, University of Constance)
\nKilian R\u00fcckschlo\u00df (High School of Technics, Munich): The Absurdity in Nikolai V. Gogol’s «Diary of a Madman»\/\/ \u0410\u0431\u0441\u0443\u0440\u0434 \u0432 «\u0417\u0430\u043f\u0438\u0441\u043a\u0430\u0445 \u0441\u0443\u043c\u0430\u0441\u0448\u0435\u0434\u0448\u0435\u0433\u043e» \u041d.\u0412.\u0413\u043e\u0433\u043e\u043b\u044f
\nDiliara Fruehauf (University of Zurich) «Ni\u010devoki\u201d – the quintessence of Russian Dada. About everything and nothing at the same time» \/\/ «\u041d\u0438\u0447\u0435\u0432\u043e\u043a\u0438\u201c- \u043a\u0432\u0438\u043d\u0442\u044d\u0441\u0441\u0435\u043d\u0446\u0438\u044f \u0440\u0443\u0441\u0441\u043a\u043e\u0433\u043e \u0434\u0430\u0434\u0430\u0438\u0437\u043c\u0430. \u041f\u0440\u043e \u0432\u0441\u0435 \u0438 \u043d\u0438\u0447\u0435\u0433\u043e \u043e\u0434\u043d\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u043e»
\nZoran Tihomirovi\u0107 (University of Zagreb): Private utopia: spatial dualism in works by Ilya Kabakov\/ \u0427\u0430\u0441\u0442\u043d\u0430\u044f \u0443\u0442\u043e\u043f\u0438\u044f: \u043f\u0440\u043e\u0441\u0442\u0440\u0430\u043d\u0441\u0442\u0432\u0435\u043d\u043d\u044b\u0439 \u0434\u0443\u0430\u043b\u0438\u0437\u043c \u0432 \u0440\u0430\u0431\u043e\u0442\u0430\u0445 \u0418\u043b\u044c\u0438 \u041a\u0430\u0431\u0430\u043a\u043e\u0432\u0430\u201c.
\nElisa Bergaz (University of Lausanne): Kharmsurd: death of the death of the old woman and the luggage of absurd \/\/ \u0425\u0430\u0440\u043c\u0441\u0443\u0440\u0434: \u0441\u043c\u0435\u0440\u0442\u044c \u0441\u0442\u0430\u0440\u0443\u0445\u0438 \u0438 \u0431\u0430\u0433\u0430\u0436 \u0430\u0431\u0441\u0443\u0440\u0434\u0430.<\/p>\n

INTERVIEW COFFEE BREAK 12.40-13.30<\/strong>
\nInterview with Jean-Philippe Jaccard, University of Geneva \/\/ \u0418\u043d\u0442\u0435\u0440\u0432\u044c\u044e \u0441 \u043f\u0440\u043e\u0444\u0435\u0441\u0441\u043e\u0440\u043e\u043c \u0416\u0435\u043d\u0435\u0432\u0441\u043a\u043e\u0433\u043e \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442\u0430 \u0416\u0430\u043d\u043e\u043c-\u0424\u0438\u043b\u0438\u043f\u043f\u043e\u043c \u0416\u0430\u043a\u043a\u0430\u0440\u043e\u043c (Diliara Fruehauf, Artiom Christen, Nelli Senn, Elena Liebich, Polina Gonzalez-Garsia, Eric Christen, Louise D\u00e9caillet, Eva Barbic, Christina Laemmel, Maria Cnaub, Anna Medzhydova)<\/p>\n

13-30- 14.00 (Skype Conference)<\/strong>
\nSektion 3 (Patricia Grimm, University of Munich, Eric Christen, University of Zurich)
\nBulach Dana (Ablai khan University, Almaty). Gonzo-Journalism of the USA and the aesthetics of absurd\/ \u0413\u043e\u043d\u0437\u043e-\u0436\u0443\u0440\u043d\u0430\u043b\u0438\u0441\u0442\u0438\u043a\u0430 \u0421\u0428\u0410 \u0438 \u044d\u0441\u0442\u0435\u0442\u0438\u043a\u0430 \u0430\u0431\u0441\u0443\u0440\u0434\u0430
\nAldabergenova Ayim (Ablai khan University, Almaty). Linguocultural aspects of translation of absurd literature (on the material of works of Joseph Heller) \/ \u041b\u0438\u043d\u0433\u0432\u043e\u043a\u0443\u043b\u044c\u0442\u0443\u0440\u043e\u043b\u043e\u0433\u0438\u0447\u0435\u0441\u043a\u0438\u0435 \u0430\u0441\u043f\u0435\u043a\u0442\u044b \u043f\u0435\u0440\u0435\u0432\u043e\u0434\u0430 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u044b \u0430\u0431\u0441\u0443\u0440\u0434\u0430 (\u043d\u0430 \u043c\u0430\u0442\u0435\u0440\u0438\u0430\u043b\u0435 \u043f\u0440\u043e\u0438\u0437\u0432\u0435\u0434\u0435\u043d\u0438\u0439 \u0414\u0436\u043e\u0437\u0435\u0444\u0430 \u0425\u0435\u043b\u043b\u0435\u0440\u0430)<\/p>\n

BREAK 14. 00- 14.15
\n14.15-15.15
\nSektion 4 (Ekaterina Kurilova, University of Bern)
\nRichard Medlinger (University of Lausanne): Stalin lying: crossed looks on a Leader\u2019s death between A. German and A. Iannuci\u00bb \/\/ \u0421\u0442\u0430\u043b\u0438\u043d \u043f\u043e\u043a\u0430\u044f\u0441\u044c: \u043a\u0440\u0435\u0441\u0442\u043e\u043e\u0431\u0440\u0430\u0437\u043d\u044b\u0435 \u0432\u0437\u0433\u043b\u044f\u0434\u044b \u043d\u0430 \u0441\u043c\u0435\u0440\u0442\u044c \u0432\u043e\u0436\u0434\u044f \u043c\u0435\u0436\u0434\u0443 \u0410. \u0413\u0435\u0440\u043c\u0430\u043d\u043e\u043c \u0438 \u0410. \u0418\u0430\u043d\u0443\u0447\u0438<\/p>\n

Tatiana von Erlach (University of Lausanne): The Land of Oz: the black comedy of the absurd in modern Russia \/\/ \u0421\u0442\u0440\u0430\u043d\u0430 \u041e\u0437: \u0447\u0435\u0440\u043d\u0430\u044f \u043a\u043e\u043c\u0435\u0434\u0438\u044f \u0430\u0431\u0441\u0443\u0440\u0434\u0430 \u0432 \u0441\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u043e\u0439 \u0420\u043e\u0441\u0441\u0438\u0438
\nVera Dong (University of Munich): The Soviet «Anecdote» as a Therapy of the Surrounding Absurdity \/\/ \u0421\u043e\u0432\u0435\u0442\u0441\u043a\u0438\u0439 \u0430\u043d\u0435\u043a\u0434\u043e\u0442 \u043a\u0430\u043a \u0442\u0435\u0440\u0430\u043f\u0438\u044f \u043e\u0442 \u0430\u0431\u0441\u0443\u0440\u0434\u0430 \u043e\u043a\u0440\u0443\u0436\u0430\u044e\u0449\u0435\u0439 \u0434\u0435\u0439\u0441\u0442\u0432\u0438\u0442\u0435\u043b\u044c\u043d\u043e\u0441\u0442\u0438
\nVictoria Avanesova (University of Zurich). Daniil Kharms: The Absurdity in \u00abElizaveta Bam\u00bb \/\/ \u0414\u0430\u043d\u0438\u0438\u043b \u0425\u0430\u0440\u043c\u0441: \u0430\u0431\u0441\u0443\u0440\u0434 \u0432 \u043f\u044c\u0435\u0441\u0435 \u00ab\u0415\u043b\u0438\u0437\u0430\u0432\u0435\u0442\u0430 \u0411\u0430\u043c\u00bb.<\/p>\n

BREAK 15.15-15.40
\n15.40-16. 30
\nSektion 5 (Elena Liebich, University of Zurich)
\nKora Kukuj: (Otto-vo\u0442-Taube Gymnasium, Gauting): (Un)childlike Absurdity: The Work of Artur Givargizov \/\/ (\u041d\u0435)\u0434\u0435\u0442\u0441\u043a\u0438\u0439 \u0430\u0431\u0441\u0443\u0440\u0434: \u0442\u0432\u043e\u0440\u0447\u0435\u0441\u0442\u0432\u043e \u0410\u0440\u0442\u0443\u0440\u0430 \u0413\u0438\u0432\u0430\u0440\u0433\u0438\u0437\u043e\u0432\u0430
\nPatricia Grimm (University of Munich): The Absurdity of Russian Fairy Tales (\u00abKurochka Rjaba\u00bb) \/\/ \u0410\u0431\u0441\u0443\u0440\u0434\u0438\u0437\u043c \u0440\u0443\u0441\u0441\u043a\u0438\u0445 \u0441\u043a\u0430\u0437\u043e\u043a (\u00ab\u041a\u0443\u0440\u043e\u0447\u043a\u0430 \u0420\u044f\u0431\u0430\u00bb)
\nTobias Wekhof (High School of Technics, Munichof Zurich) \/ E\u0432\u0433\u0435\u043d\u0438\u0439 \u041a\u043b\u044e\u0435\u0432 \u00ab\u041c\u0435\u0436\u0434\u0443 \u0434\u0432\u0443\u0445 \u0441\u0442\u0443\u043b\u044c\u0435\u0432\u00bb: \u043e\u0442 \u0441\u043a\u0430\u0437\u043a\u0438 \u043a \u0430\u0431\u0441\u0443\u0440\u0434\u0443<\/p>\n

16. 30-17-00
\nDiscussion (with Jean-Philippe Jaccard, Iliya Kukuj, Tom\u00e1\u0161 Glanc, Gazunur Gizdatov, Sergej Zavjalov, Marina Okhrimovskaya, Margarita Sch\u00f6nenberger, Malgorzata Gerber, Olga Burenina-Petrova)<\/p>\n

Saturday, Mai 26th 2018 (Kleine Aula, RAA-G-1)<\/strong>
\n10.00-10.10 Gazinur Gizdatov (Ablai khan University, Almaty): SlavicumPress and Students Media Networking in Kasachstan
\n10. 10-10.40
\nSektion1. (Maria Cnaub, University of Constance, Jovana Jovic, University of Zurich)
\nEmilie Wiss (University of Lausanne): Absurdity of life by A. Camus and V. T. Shalamov \/ \u0410\u0431\u0441\u0443\u0440\u0434\u043d\u043e\u0441\u0442\u044c \u0431\u044b\u0442\u0438\u044f \u0443 \u0410. \u041a\u0430\u043c\u044e \u0438 \u0412. \u0422. \u0428\u0430\u043b\u0430\u043c\u043e\u0432\u0430
\nAleksander Gerber (Zurich University of the Arts). Janusz Rudnicki: Polish Trickster and German Ordnung\/\/ Janusz Rudnicki: polski szelma i niemiecki Ordnung.
\n10.40-11.00
\nABSURD POETRY BREAK
\nSofia Temnenko: «The Red-Haired Man» by Daniil Kharms\/\/ \u00ab\u0420\u044b\u0436\u0438\u0439 \u0447\u0435\u043b\u043e\u0432\u0435\u043a\u00bb; «Winter morning» by Sofia Temnenko\/\/ «\u0417\u0438\u043c\u043d\u0435\u0435 \u0443\u0442\u0440\u043e
\nAnastasia Driskell: «Carpenter Kushakov». by D.Kharms\/\/ «\u0421\u0442\u043e\u043b\u044f\u0440 \u041a\u0443\u0448\u0430\u043a\u043e\u0432»
\n«Turtle» by Anastasia Driskell \/\/ «\u0427\u0435\u0440\u0435\u043f\u0430\u0445\u0430
\nAlessio Maffioletti: poem «Very scary story» by D. Kharms \/\/ «\u041e\u0447\u0435\u043d\u044c \u0441\u0442\u0440\u0430\u0448\u043d\u0430\u044f \u0438\u0441\u0442\u043e\u0440\u0438\u044f», \u0410\u043b\u0435\u0441\u0441\u0438\u043e \u041c\u0430\u0444\u0444\u0438\u043e\u043b\u0435\u0442\u0442\u0438; «Without a title» by Alessio Maffioletti\/\/ «\u0411\u0435\u0437 \u043d\u0430\u0437\u0432\u0430\u043d\u0438\u044f»
\nKotrina Bielko: poem «Cats» by D.Kharms\/\/»\u041a\u043e\u0448\u043a\u0438»
\nPatrick Schalcher. Tiger in the street by D.Kharms. \/\/ \u0422\u0438\u0433\u0440 \u043d\u0430 \u0443\u043b\u0438\u0446\u0435»
\n11.00-11.15 BREAK
\n11.15-12.30 (Skype-Coference)
\n11.00-11.10
\nConference opening in Tschelyabinsk: Elena Ponomareva, South Ural State University and Tatiana Semian, South Ural State University: On the prospects of scientific students cooperation and implementation of joint projects
\n11.10- 11.40
\nSektion 2 (Elina Ponomareva, South Ural State University)
\nArina Zagidullina (South Ural State University): The technique of absurdity in V. Sorokin’s novel \u201cManaraga\u201d \/ \u0422\u0435\u0445\u043d\u0438\u043a\u0430 \u0430\u0431\u0441\u0443\u0440\u0434\u0430 \u0432 \u0440\u043e\u043c\u0430\u043d\u0435 \u0412. \u0421\u043e\u0440\u043e\u043a\u0438\u043d\u0430 \u00ab\u041c\u0430\u043d\u0430\u0440\u0430\u0433\u0430\u00bb
\nSifia Puchkova (South Ural State University University): Estimated vocabulary as a means of creating absurdity (based on the stories of I. Ilf and E. Petrov) \/ \u041e\u0446\u0435\u043d\u043e\u0447\u043d\u0430\u044f \u043b\u0435\u043a\u0441\u0438\u043a\u0430 \u043a\u0430\u043a \u0441\u0440\u0435\u0434\u0441\u0442\u0432\u043e \u0441\u043e\u0437\u0434\u0430\u043d\u0438\u044f \u0430\u0431\u0441\u0443\u0440\u0434\u0430 (\u043d\u0430 \u043c\u0430\u0442\u0435\u0440\u0438\u0430\u043b\u0435 \u0440\u0430\u0441\u0441\u043a\u0430\u0437\u043e\u0432 \u0418. \u0418\u043b\u044c\u0444\u0430 \u0438 \u0415. \u041f\u0435\u0442\u0440\u043e\u0432\u0430)
\nDaria Kulagina (South Ural State University): The features of the poetics of absurdity in the book-making of K. Shakhnazarov \/ \u0427\u0435\u0440\u0442\u044b \u043f\u043e\u044d\u0442\u0438\u043a\u0438 \u0430\u0431\u0441\u0443\u0440\u0434\u0430 \u0432 \u043a\u043d\u0438\u0433\u043e\u0442\u0432\u043e\u0440\u0447\u0435\u0441\u0442\u0432\u0435 \u041a. \u0428\u0430\u0445\u043d\u0430\u0437\u0430\u0440\u043e\u0432\u0430
\nDaria Maltseva (South Ural State University): Poetics of absurdity in the work of V. Sigarev \/ \u041f\u043e\u044d\u0442\u0438\u043a\u0430 \u0430\u0431\u0441\u0443\u0440\u0434\u0430 \u0432 \u0442\u0432\u043e\u0440\u0447\u0435\u0441\u0442\u0432\u0435 \u0412. \u0421\u0438\u0433\u0430\u0440\u0435\u0432\u0430
\n11.40-12.30
\nSektion 3 (Marina Mozzherina, South Ural State University)
\nTatyana Matveeva (South Ural State University): Poetics of absurdity in the cycle of I. Ilf and E. Petrov «Unusual stories from the life of the city of Kolokolamsk» \/ \u041f\u043e\u044d\u0442\u0438\u043a\u0430 \u0430\u0431\u0441\u0443\u0440\u0434\u0430 \u0432 \u0446\u0438\u043a\u043b\u0435 \u0418. \u0418\u043b\u044c\u0444\u0430 \u0438 \u0415. \u041f\u0435\u0442\u0440\u043e\u0432\u0430 \u00ab\u041d\u0435\u043e\u0431\u044b\u043a\u043d\u043e\u0432\u0435\u043d\u043d\u044b\u0435 \u0438\u0441\u0442\u043e\u0440\u0438\u0438 \u0438\u0437 \u0436\u0438\u0437\u043d\u0438 \u0433\u043e\u0440\u043e\u0434\u0430 \u041a\u043e\u043b\u043e\u043a\u043e\u043b\u0430\u043c\u0441\u043a\u0430\u00bb.
\nVictoria Matveychuk (South Ural State University): Absurdity in the songs of the band «Mumiy Troll» by Ilya Lagutenko \/ \u0410\u0431\u0441\u0443\u0440\u0434 \u0432 \u043f\u0435\u0441\u043d\u044f\u0445 \u0433\u0440\u0443\u043f\u043f\u044b \u00ab\u041c\u0443\u043c\u0438\u0439 \u0422\u0440\u043e\u043b\u043b\u044c\u00bb \u0418\u043b\u044c\u0438 \u041b\u0430\u0433\u0443\u0442\u0435\u043d\u043a\u043e
\nMarina Mozzherina (South Ural State University): Poetics of absurdity in Lena Eltang’s novel «Stone Maples» \/ \u041f\u043e\u044d\u0442\u0438\u043a\u0430 \u0430\u0431\u0441\u0443\u0440\u0434\u0430 \u0432 \u0440\u043e\u043c\u0430\u043d\u0435 \u041b\u0435\u043d\u044b \u042d\u043b\u0442\u0430\u043d\u0433 \u00ab\u041a\u0430\u043c\u0435\u043d\u043d\u044b\u0435 \u043a\u043b\u0451\u043d\u044b\u00bb
\nElena Plishkina (South Ural State University): Absurdity in the lyrics of Linor Goralik \/ \u0410\u0431\u0441\u0443\u0440\u0434 \u0432 \u043b\u0438\u0440\u0438\u043a\u0435 \u041b\u0438\u043d\u043e\u0440 \u0413\u043e\u0440\u0430\u043b\u0438\u043a
\nElina Ponomareva (South Ural State University): Absurdization as an element of the aesthetics in the Russian literary Noir \/ \u0410\u0431\u0441\u0443\u0440\u0434\u0438\u0437\u0430\u0446\u0438\u044f \u043a\u0430\u043a \u044d\u043b\u0435\u043c\u0435\u043d\u0442 \u044d\u0441\u0442\u0435\u0442\u0438\u043a\u0438 \u0440\u0443\u0441\u0441\u043a\u043e\u0433\u043e \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u043d\u043e\u0433\u043e \u043d\u0443\u0430\u0440\u0430
\n12.30-13.00
\nDiscussion (with Jean-Philippe Jaccard, Iliya Kukuj, Gazunur Gizdatov, Marina Okhrimovskaya, Elena Ponomareva, Tatiana Semian, Margarita Sch\u00f6nenberger, Malgorzata Gerber, Olga Burenina-Petrova)<\/p>\n

Location<\/strong>
\nFriday&Saturday: Kleine Aula RAA-G-1
\nUniversity Z\u00fcrich\u00a0(R\u00e4mistrasse 59, 8001 Zurich)<\/p>\n","protected":false},"excerpt":{"rendered":"

Das Absurde in Literatur, Kunst und Kino (25.-26. Mai 2018)
\n\u200bStudentische KonferenzRead More →<\/a><\/span><\/p>\n","protected":false},"author":380,"featured_media":1819,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_FSMCFIC_featured_image_caption":"","_FSMCFIC_featured_image_nocaption":"","_FSMCFIC_featured_image_hide":"","footnotes":""},"categories":[419],"tags":[116,115,114],"class_list":["entry","author-slavicumpress","has-excerpt","post-894","post","type-post","status-publish","format-standard","has-post-thumbnail","category-reportage","tag-english","tag-german","tag-russian"],"acf":[],"_links":{"self":[{"href":"https:\/\/dlf.uzh.ch\/sites\/slavicumpress\/wp-json\/wp\/v2\/posts\/894","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dlf.uzh.ch\/sites\/slavicumpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dlf.uzh.ch\/sites\/slavicumpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dlf.uzh.ch\/sites\/slavicumpress\/wp-json\/wp\/v2\/users\/380"}],"replies":[{"embeddable":true,"href":"https:\/\/dlf.uzh.ch\/sites\/slavicumpress\/wp-json\/wp\/v2\/comments?post=894"}],"version-history":[{"count":8,"href":"https:\/\/dlf.uzh.ch\/sites\/slavicumpress\/wp-json\/wp\/v2\/posts\/894\/revisions"}],"predecessor-version":[{"id":11299,"href":"https:\/\/dlf.uzh.ch\/sites\/slavicumpress\/wp-json\/wp\/v2\/posts\/894\/revisions\/11299"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dlf.uzh.ch\/sites\/slavicumpress\/wp-json\/wp\/v2\/media\/1819"}],"wp:attachment":[{"href":"https:\/\/dlf.uzh.ch\/sites\/slavicumpress\/wp-json\/wp\/v2\/media?parent=894"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dlf.uzh.ch\/sites\/slavicumpress\/wp-json\/wp\/v2\/categories?post=894"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dlf.uzh.ch\/sites\/slavicumpress\/wp-json\/wp\/v2\/tags?post=894"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}