{"id":7558,"date":"2021-12-23T00:20:56","date_gmt":"2021-12-22T23:20:56","guid":{"rendered":"https:\/\/dlf.uzh.ch\/sites\/slavicumpress\/?p=7558"},"modified":"2022-07-26T10:53:20","modified_gmt":"2022-07-26T08:53:20","slug":"biti-ali-ne-biti-anja-novak","status":"publish","type":"post","link":"https:\/\/dlf.uzh.ch\/sites\/slavicumpress\/2021\/12\/23\/biti-ali-ne-biti-anja-novak\/","title":{"rendered":"Biti ali ne biti? \u2013 Anja Novak"},"content":{"rendered":"

 <\/p>\n

LJUBI\u00a0 ZAJCE IN NIMA FACEBOOKA\u00a0<\/strong><\/span><\/p>\n

[vc_row][vc_column width=»1\/2″][vc_column_text css_animation=»left-to-right»]<\/span>Anja Novak<\/strong>\u00a0(1991) is a theatre and film actress, performer, poet and singer, currently employed in Slovene Mladinsko Theatre in Ljubljana. In 2015 she received her MA in acting (The Academy for Theatre, Radio, Film and Television (AGRFT) in Ljubljana) with her project I would like to have children, a garden and fifteen rabbits <\/em>(Imela bi otroke, vrt in petnajst zajcev<\/em>), <\/em>in which she explored the fusion of theater, music, and her own poetry.\u00a0In the same year she was accepted into the ensamble of Mladinsko Theatre, while collaborating with many independent projects in theatre and film outside this institution. In 2016 she collaborated with the director Albert Mestres in his production Farse<\/em>, which premiered on the theatre festival El Grec in Barcelona. That year she participated (with Toma\u017e Grom and Lola Mla\u010dnik) in the evolving experimental musical performance Raising of the Voice<\/em> by the composer Drago Ivanu\u0161a, where she assumed the role of instrument, voice, body, poet and performer. She is also an active member of the experimental performative platform Via Negativa, is independently developing her singing skills and is researching the potentials of psychodrama as they relate to theatrical creativity through her collaborations with Tomi Jane\u017ei\u010d. During several years she has also been collaborating with the poet, writer and musician Nina Dragi\u010devi\u0107 and is part of the chanson collective lead by Svetlana Makarovi\u010d. Since high-school she is active on various independent literary platforms. From high school onwards, she published her poems in various magazines and booklets, and above all she performed live combining poetry, music and performance. In August 2020, her poetry debut Ranerane<\/em> was released, which brings together a wide range of different artists and is expanding and upgrading to the virtual platform ranerane.si<\/span><\/a>. In 2019 she received the Bor\u0161tnik Award for a Young Actress for her role in without a title<\/em> (\u0161e ni naslova<\/em>) by Tomi Jane\u017ei\u010d, produced by Mladinsko Theatre, which received the \u0160eligo Award on Weeks of Slovene Drama in Kranja, as well as The Main Bor\u0161tnik Award. In 2017 she received, together with her fellow actors, a collective Bor\u0161tnik Acting Award for the performance The Man Who Observed the World<\/em> (\u010clovek, ki je gledal svet<\/em>). In 2015 she received The Academic Pre\u0161eren Award for her project I would like to have children, a garden and fifteen rabbits<\/em>, in 2014 The Academic Pre\u0161eren Award for the Entire Class for the performance 1981<\/em>, and the Vesna Award on the Festival of Slovene Film in Portoro\u017e for her leading role in the short movie Sleepy Spring<\/em> (Prespana pomlad<\/em>) by Dominik Mencej. During the past years she synchronized cartoon characters for diferent cartoons under the \u00bbwing\u00ab of RTV SLO (Radio and Televison of Slovenia) and also in private studios. The role she liked the most was Frieda from the cartoon Snoopy; \u00bbI have naturally curly hair\u2026mmmm\u2026\u00ab Singing is not a problem.<\/p>\n

She loves rabbits and is not on Facebook.<\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=»1\/2″][vc_column_text css_animation=»right-to-left»]<\/p>\n

Anja Novak<\/strong> (1991) je gledali\u0161ka in filmska igralka, performerka, pesnica in pevka, zaposlena v Slovenskem mladinskem gledali\u0161\u010du v Ljubljani. Leta 2015 je z avtorskim projektom Imela bi otroke, vrt in petnajst zajcev, v katerem je raziskovala spoj gledali\u0161\u010da, glasbe in svoje avtorske poezije, magistrirala iz dramske igre na ljubljanskem AGRFT-ju, za kar je prejela akademijsko Pre\u0161ernovo nagrado. \u0160e istega leta je za\u010dela z aktivnim delovanjem v ansamblu Slovenskega mladinskega gledali\u0161\u010da. Poleg tega ostaja dejavna tudi na neodvisni gledali\u0161ki sceni na filmu. Leta 2016 je sodelovala pri predstavi Farsa re\u017eiserja Alberta Mestresa v okviru barcelonskega gledali\u0161kega festivala El Grec. Istega leta je pod vodstvom glasbenika in skladatelja Draga Ivanu\u0161e s Toma\u017eem Gromom in Lolo Mla\u010dnik na odru ljubljanske Drame izvedla eksperimentalni glasbeni projekt Dviganje glasu, kjer zavzema vlogo in\u0161trumenta, glasu, telesa, pesnice in performerke, projekt pa se v razli\u010dnih oblikah razvija dalje. Ustvarja tudi v okviru performativne platforme Via negativa, se \u0161tudijsko ukvarja s petjem ter raziskuje psihodramske potenciale za gledali\u0161ko ustvarjalnost pri delu z re\u017eiserjem Tomijem Jane\u017ei\u010dem. Sodeluje tudi s pesnico, pisateljico in glasbenico Nino Dragi\u010devi\u0107 ter je del \u0161ansonjerske ekipe Svetlane Makarovi\u010d. \u017de od srednje\u0161olskih let je dejavna tudi na podro\u010dju razli\u010dnih neodvisnih in odvisnih literarnih platform. Od srednje \u0161ole dalje je svoje pesmi objavljala v razli\u010dnih revijah in knji\u017eicah, predvsem pa je z njimi nastopala v \u017eivo ter zdru\u017eevala poezijo, glasbo in perfomans. Avgusta leta 2020 pa je iz\u0161el tudi njen pesni\u0161ki prvenec Ranerane<\/em>, ki zdru\u017euje \u0161iroko paleto razli\u010dnih umetnikov in se raz\u0161irja ter nadgrajuje v virtualno platformo ranerane.si<\/span><\/a>. Leta 2019 je prejela Bor\u0161tnikovo nagrado za mlado igralko v predstavi \u0161e ni naslova re\u017eiserja Tomija Jane\u017ei\u010da v produkciji SMG, s katero je ekipa osvojila tudi \u0160eligovo nagrado na Tednu slovenske drame in veliko nagrado Bor\u0161tnikovega sre\u010danja. Leta 2017 je skupaj s soigralci iz predstave \u010clovek<\/em>, ki je gledal svet prejela Bor\u0161tnikovo nagrado za igro. Leta 2015 je prejela akademijsko Pre\u0161ernovo nagrado za avtorski projekt Imela bi otroke, vrt in petnajst zajcev, leta 2014 akademijsko Pre\u0161ernovo nagrado letniku za predstavo 1981 ter na Festivalu slovenskega filma v Portoro\u017eu vesno za glavno \u017eensko vlogo za lik Jasne v kratkem filmu Prespana pomlad re\u017eiserja Dominika Menceja.<\/p>\n

Ljubi zajce in nima Facebooka.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n

[vc_row][vc_column width=»1\/3″][vc_column_text css_animation=»left-to-right»]<\/span>BITI ALI NE BITI<\/strong><\/p>\n

 <\/p>\n

Kak\u0161no je to vpra\u0161anje?<\/p>\n

Seveda biti.<\/p>\n

 <\/p>\n

Biti z vsakim dnem bolj\u0161i,<\/p>\n

bolj drzen in pametnej\u0161i,<\/p>\n

bolj prodoren in lep\u0161ej\u0161i,<\/p>\n

biti nekdo ali pa raje ne biti.<\/p>\n

Biti nih\u010de je manj kot ne biti.<\/p>\n

 <\/p>\n

Biti ali ne biti?<\/p>\n

Kak\u0161no je to vpra\u0161anje?<\/p>\n

 <\/p>\n

Ne biti.<\/p>\n

Ne riskirati.<\/p>\n

Ne \u017eeleti.<\/p>\n

Ne poznati.<\/p>\n

Ne vedeti.<\/p>\n

Ne boleti.<\/p>\n

Ne biti.<\/p>\n

 <\/p>\n

Biti ali ne biti?<\/p>\n

Kak\u0161no je to vpra\u0161anje?<\/p>\n

 <\/p>\n

Mogo\u010de pozabiti.<\/p>\n

Prebiti \u017eivljenje.<\/p>\n

Se ubiti?<\/p>\n

In oditi?<\/p>\n

Kak\u0161no je to vpra\u0161anje?<\/p>\n

Se ubiti?<\/p>\n

Je ne biti isto kot se ubiti?<\/p>\n

Koga ubiti?<\/p>\n

S kom oditi?<\/p>\n

Kdo biti, \u010de ne biti?<\/p>\n

Kdo biti, \u010de biti?<\/p>\n

Biti.<\/p>\n

Biti nekdo!<\/p>\n

Biti ti.<\/p>\n

 <\/p>\n

Moja pesem no\u010de<\/p>\n

v globino,<\/p>\n

dovolj je drugih,<\/p>\n

ki to delajo.<\/p>\n

 <\/p>\n

Moja pesem gre<\/p>\n

v nebo in<\/p>\n

prek poljan<\/p>\n

v vesolje.<\/p>\n

 <\/p>\n

Vsi vi, ki date<\/p>\n

nekaj in vse<\/p>\n

na\u00a0to globino,<\/p>\n

pojdite kdaj<\/p>\n

na izlet<\/p>\n

v vesolje.<\/p>\n

 <\/p>\n

A veste, da<\/p>\n

vesolju<\/p>\n

\u0161e niso na\u0161li konca.<\/p>\n

Globina<\/p>\n

pa je davno<\/p>\n

zdefinirana,<\/p>\n

izmerjena,<\/p>\n

postavljena na<\/p>\n

trdna tla.<\/p>\n

Pojdite kdaj<\/p>\n

na izlet<\/p>\n

v vesolje.<\/p>\n

 <\/p>\n

Biti ali ne biti?<\/p>\n

Kak\u0161no je to vpra\u0161anje?<\/p>\n

Biti ali ne biti?<\/p>\n

Kak\u0161no je to vpra\u0161anje?<\/p>\n

Biti ali ne biti?<\/p>\n

Kak\u0161no je to vpra\u0161anje?<\/p>\n

 <\/p>\n

Ne bom se tunkala<\/p>\n

pod vodo,<\/p>\n

da si ne zmo\u010dim kril.<\/p>\n

https:\/\/ranerane.si\/biti-ali-ne-biti\/<\/a><\/span><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=»1\/3″][vc_column_text css_animation=»right-to-left»]<\/p>\n

PUN\u010cKA IZ PORCELANA\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong><\/p>\n

\u00a0 \u00a0 \u00a0\u00a0<\/strong><\/p>\n

Vtisnil si mi svoje<\/p>\n

\u017eelje in strasti<\/p>\n

v hrbet.<\/p>\n

Dovolj mo\u010dno si<\/p>\n

udrihal, da si mi<\/p>\n

izbil narcise in<\/p>\n

mladost iz du\u0161e,<\/p>\n

a premalo, da bi<\/p>\n

pregnal puhasto<\/p>\n

\u017eivalco, ki je<\/p>\n

zrasla v zver.<\/p>\n

 <\/p>\n

Vtisnila sem si<\/p>\n

tvoj obraz globoko<\/p>\n

v spomin.<\/p>\n

In tvojo roko, ki<\/p>\n

je \u0161la predale\u010d.<\/p>\n

Tvoj \u0161vic na<\/p>\n

svojih laseh,<\/p>\n

slino, majhnega<\/p>\n

ti\u010da in tvoj strah<\/p>\n

pred svetom.<\/p>\n

 <\/p>\n

Strah, ki me je<\/p>\n

navdajal z grozo,<\/p>\n

ker se ga sam<\/p>\n

nisi zavedal.<\/p>\n

Strah, ki je hranil<\/p>\n

mojo \u017eival.<\/p>\n

Strah, v katerega<\/p>\n

sem se brez<\/p>\n

lastne volje<\/p>\n

zaljubila.<\/p>\n

 <\/p>\n

Nabrala bom<\/p>\n

narcise<\/p>\n

in te z njimi<\/p>\n

zadu\u0161ila.<\/p>\n

Zrezala ti bom<\/p>\n

telo in te v<\/p>\n

\u017eaklju porinila<\/p>\n

po hrib\u010dku navzdol<\/p>\n

v prepad.<\/p>\n

 <\/p>\n

Zarjula bom kot<\/p>\n

zver, da se ti bo<\/p>\n

mrtvemu ustavil dih.<\/p>\n

Pela bom od sre\u010de<\/p>\n

in veselja.<\/p>\n

Le dvoje imam<\/p>\n

od tebe;<\/p>\n

\u010dir na \u017eelodcu<\/p>\n

in te pesmi na<\/p>\n

ustnicah.<\/p>\n

 <\/p>\n

Tvoja pun\u010dka iz porcelana.<\/p>\n

 <\/p>\n

Lepo si pazil name.<\/p>\n

Nisem se razbila.<\/p>\n

https:\/\/ranerane.si\/puncka-iz-porcelana\/<\/span><\/a>[\/vc_column_text][\/vc_column][vc_column width=»1\/3″][vc_column_text css_animation=»right-to-left»]\u010cESTITKE IN POZDRAVI\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Jutri ima\u0161 rojstni dan.<\/p>\n

Ne bom ti prinesla<\/p>\n

\u0161ampanjca za nazdravit,<\/p>\n

ker bi ti bolj prav<\/p>\n

pri\u0161la nova jetra.<\/p>\n

 <\/p>\n

Pri\u0161la te bom pozdravit<\/p>\n

in ti \u017ee stodevetintrideseti\u010d<\/p>\n

povedat, da si moj dedek in<\/p>\n

kak\u0161no je kaj vreme zunaj.<\/p>\n

 <\/p>\n

Zaprt, bled ko smrt,<\/p>\n

praznuje\u0161 rojstni dan,<\/p>\n

danes malo bolj rumen<\/p>\n

kot ponavadi. (2x)<\/p>\n

 <\/p>\n

Kaj naj ti zapojem, da<\/p>\n

bo\u0161 hitreje zaspal?<\/p>\n

 <\/p>\n

Spomin ima\u0161 kot<\/p>\n

zlata ribca in<\/p>\n

boli te za vse,<\/p>\n

bolijo le prele\u017ealnine.<\/p>\n

Jaz pa grem v glavi<\/p>\n

nazaj in naprej in<\/p>\n

jo\u010dem medtem ko<\/p>\n

pojem vse najbolj\u0161e<\/em><\/p>\n

nekomu, ki je rad \u017eivel,<\/p>\n

dokler je smel.<\/p>\n

 <\/p>\n

Zaprt, bled ko smrt,<\/p>\n

praznuje\u0161 rojstni dan,<\/p>\n

danes malo bolj rumen<\/p>\n

kot ponavadi. (2x)<\/p>\n

https:\/\/ranerane.si\/cestitke-in-pozdravi\/<\/a><\/span><\/p>\n

 <\/p>\n

HAMLET<\/strong><\/p>\n

 <\/p>\n

Spet sem zamudila.<\/p>\n

Predolgo sem se<\/p>\n

obla\u010dila v kostum.<\/p>\n

Tkanina me zapeljuje<\/p>\n

bolj kot sama vsebina.<\/p>\n

Tudi \u010de me ni na oder,<\/p>\n

ploskajo.<\/p>\n

Biti ali ne biti<\/p>\n

ni ve\u010d vpra\u0161anje.<\/p>\n

Pomembno je, kaj<\/p>\n

se govori v medijih.<\/p>\n

https:\/\/ranerane.si\/hamlet\/<\/a><\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row]Anja Novak<\/a><\/strong><\/span>, Ljubljana<\/p>\n

 <\/p>\n

Edited by Aleksandra Krasovec, Institute of Slavic Studies of the Russian Academy of Sciences and Bo\u0161tjan Bo\u017ei\u010d, University of Ljubljana<\/p>\n

 <\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

Biti ali ne biti?
\nKak\u0161no je to vpra\u0161anje?
\nBiti ali ne biti?
\nKak\u0161no je to vpra\u0161anje?Read More →<\/a><\/span><\/p>\n","protected":false},"author":709,"featured_media":7571,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_FSMCFIC_featured_image_caption":"","_FSMCFIC_featured_image_nocaption":null,"_FSMCFIC_featured_image_hide":null,"footnotes":""},"categories":[9],"tags":[367,116,286],"class_list":["entry","author-olga","has-excerpt","post-7558","post","type-post","status-publish","format-standard","has-post-thumbnail","category-poetry","tag-anja-novak","tag-english","tag-slovene"],"acf":[],"_links":{"self":[{"href":"https:\/\/dlf.uzh.ch\/sites\/slavicumpress\/wp-json\/wp\/v2\/posts\/7558","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dlf.uzh.ch\/sites\/slavicumpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dlf.uzh.ch\/sites\/slavicumpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dlf.uzh.ch\/sites\/slavicumpress\/wp-json\/wp\/v2\/users\/709"}],"replies":[{"embeddable":true,"href":"https:\/\/dlf.uzh.ch\/sites\/slavicumpress\/wp-json\/wp\/v2\/comments?post=7558"}],"version-history":[{"count":51,"href":"https:\/\/dlf.uzh.ch\/sites\/slavicumpress\/wp-json\/wp\/v2\/posts\/7558\/revisions"}],"predecessor-version":[{"id":11330,"href":"https:\/\/dlf.uzh.ch\/sites\/slavicumpress\/wp-json\/wp\/v2\/posts\/7558\/revisions\/11330"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dlf.uzh.ch\/sites\/slavicumpress\/wp-json\/wp\/v2\/media\/7571"}],"wp:attachment":[{"href":"https:\/\/dlf.uzh.ch\/sites\/slavicumpress\/wp-json\/wp\/v2\/media?parent=7558"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dlf.uzh.ch\/sites\/slavicumpress\/wp-json\/wp\/v2\/categories?post=7558"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dlf.uzh.ch\/sites\/slavicumpress\/wp-json\/wp\/v2\/tags?post=7558"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}