{"id":15935,"date":"2024-12-11T18:29:17","date_gmt":"2024-12-11T17:29:17","guid":{"rendered":"https:\/\/dlf.uzh.ch\/sites\/slavicumpress\/?p=15935"},"modified":"2024-12-13T15:39:18","modified_gmt":"2024-12-13T14:39:18","slug":"karl-ristikivis-poetry-collection-inimese-teekond-1972-today","status":"publish","type":"post","link":"https:\/\/dlf.uzh.ch\/sites\/slavicumpress\/2024\/12\/11\/karl-ristikivis-poetry-collection-inimese-teekond-1972-today\/","title":{"rendered":"Karl Ristikivi\u2019s poetry collection Inimese teekond (1972). Today \u2013 Ekaterina Velmezova"},"content":{"rendered":"

 <\/p>\n

KARL RISTIKIVI\u2019S POETRY COLLECTION INIMESE TEEKOND<\/em> (1972). <\/strong><\/p>\n

TODAY.<\/strong><\/p>\n

\u00a0<\/strong>(Unpublished afterword by the book\u2019s translator)<\/strong><\/p>\n

A classic of Estonian literature, Karl Ristikivi (1912-1977) is better known today as a prose writer \u2013 and this is not surprising: during his life he produced many prose texts (the most famous of which are his novels) and only one collection of poems, Inimese teekond<\/em>, which was published in Sweden for Ristikivi\u2019s sixtieth birthday, in 1972. In 2024, the Tallinn publishing house \u201cAleksandra\u201d published a Russian translation of the book.\"\"Ristikivi\u2019s collection of poems has been published several times in Estonian, including recently, and several poems from the book have been published independently in various reprint collections. In addition, Inimese teekond<\/em> has been translated into numerous languages: Finnish (1998), French (2002), Udmurt (2004), Mari (2008), Hungarian (2011)… Certain single poems have also been published in English, German, Swedish, Komi… The mere fact of the translation of Ristikivi\u2019s poems into several languages testifies to an undeniable interest in the texts of the Estonian poet in various cultures.<\/p>\n

Some of the poems from the volume have already been translated into Russian several times. Another famous Estonian poet, Jaan Kaplinski (1941-2021), for example, translated and published Ristikivi\u2019s poetry not only in Russian, but also in English. Karl Ristikivi\u2019s poetic texts have been of interest to other translators as well. The collection appeared in whole in Russian in 1998, translated by Boris Baljasnyj and published by the Tallinn publishing house \u201cAvenarius\u201d in the series \u201cEstonian poetry for the Russian school\u201d (edited by Irina Belobrovtseva). Both the commentaries and the introduction to this translation were written by Aurika Meimre. This 1998 edition will therefore forever retain its chronological supremacy.<\/p>\n

But if the entire poetry collection Inimese teekond<\/em> has already been translated into Russian, how to explain the renewed interest, several decades later, in (re)-translating Karl Ristikiv\u2019s poetry into Russian? There is not any particular reason to cite here, just as there exists no one reason for poetry itself. Poetic texts are born, as Anna Akhmatova said, \u201cfrom scraps\u201d (iz sora<\/em>), \u201cwithout shame\u201d (ne vedaja styda<\/em>),when they simply cannot help but appear (in this sense, poetry seems to echo life itself, the \u201creasons\u201d of which could be hardly discussed). Long before I knew about the Russian translations of Ristikivi\u2019s poems, his poetry resonated with me in my mother tongue. Then \u2013 again. And more, and again more… Until there was no other option but to translate a few more poems from this book from Estonian into Russian. The book translation grew as if of its own accord. \u201cLike a yellow dandelion by a fence, like burdocks and weeds\u201d (kak zheltyj oduvanchik u zabora, kak lopukhi i lebeda<\/em>), as Akhmatova would say. Besides, multiple translations of a single work are a common occurrence in the history of literature.<\/p>\n

Perhaps these spontaneous, initially unplanned translations of mine could be \u201cexplained\u201d not only by a particular inner closeness of the Estonian poet\u2019s texts to my own poetic world, but also by the fact that today Karl Ristikivi\u2019s poetry seems topical<\/em>, it seems of current interest<\/em>. Let us however clarify: when a poet is considered as \u201ctopical\u201d or \u201cbeing of current interest\u201d, many people probably would not consider this a compliment \u2013 don\u2019t such \u201ccurrent interests\u201d destroy poetry as such? Maybe. However, it is a completely different matter if we are talking about a poet from the past who did not aspire to any notorious \u201ccorrespondence to current interests\u201d. Karl Ristikivi, with the poetry of Inimese teekond<\/em>, is just that.<\/p>\n

In today\u2019s \u2013 as if overnight, so dramatically \u2013 changed world, the themes of nostalgia, loneliness and eternal journey sound more and more often,\u00a0 not to mention that of \u201cfatherlandlessness\u201d (isamaatus<\/em>): it is with this word that Ristikivi\u2019s most famous poetic text, \u201cOn the way to Arcadia\u201d (Arkaadia teel<\/em>), ends. Therefore, even without knowing something (or even anything) about Ristikivi\u2019s life or other texts, the reader of his poems will certainly not miss the amazing parallels between his work and common contemporary themes: that of emigration and longing, of nostalgia for the homeland, resound in his poems in consonance with the themes of the real \u2013 and of the fictional, fantastical \u2013worlds. And it is not always clear what is more real for the poet: his (real?) present or his past, disappeared forever.<\/p>\n

Be that as it may, but knowing and remembering that once upon a time in the past people already went through something similar to what many of us are experiencing now \u2013 and that they went through it engraving their feelings in beautiful immortal poetry \u2013 this knowledge itself warms, supports and gives us hope.<\/p>\n

Thank you, Karl Ristikivi<\/em>.<\/p>\n

 <\/p>\n

*******<\/p>\n

 <\/p>\n

KARL RISTIKIVI LUULEKOGU INIMESE TEEKOND<\/em> (1972). <\/strong><\/p>\n

T\u00c4NA.<\/strong><\/p>\n

(Raamatus avaldamata t\u00f5lkija j\u00e4rels\u00f5na)<\/strong><\/p>\n

 <\/p>\n

Eesti kirjanduse klassik Karl Ristikivi (1912-1977) on t\u00e4nap\u00e4eval rohkem tuntud prosaistina, ja see pole \u00fcllatav: oma elu jooksul avaldas ta palju proosatekste (millest tuntuimad on tema romaanid) \u2013 ja ainult \u00fche luulekogu, Inimese teekond<\/em>, mis ilmus Rootsis Ristikivi kuuek\u00fcmnendaks aastap\u00e4evaks, 1972. aastal. 2024. aastal andis Tallinna kirjastus \u201eAleksandra\u201c sellest raamatust v\u00e4lja venekeelse t\u00f5lke.<\/p>\n

Ristikivi luulekogu on korduvalt ilmunud eesti keeles \u2013 ka viimastel aastatel; lisaks on mitmeid selles sisalduvaid tekste avaldatud erinevates korduskogumikes. Inimese teekond<\/em> on t\u00f5lgitud ka teistesse keeltesse \u2013 soome (1998), prantsuse (2002), udmurdi (2004), mari (2008), ungari (2011)… \u00dcksikuid luuletusi on ilmunud ka inglise, ja veel saksa, rootsi, komi keeles… Juba ainu\u00fcksi Ristikivi luuletuste mitmesse keelde t\u00f5lkimine annab tunnistust vaieldamatust huvist eesti luuletaja loomingu vastu erinevates kultuurides.<\/p>\n

Inimese teekonna<\/em> tekste on juba t\u00f5lgitud vene keelde. Siinkohal mainiksin ennek\u00f5ike teise kuulsa eesti luuletaja Jaan Kaplinski t\u00f5lkeid, kes ei avaldanud Ristikivi luulet mitte ainult vene, vaid ka inglise keeles. Karl Ristikivi poeetilised tekstid on pakkunud huvi nii venekeelsetele t\u00f5lkijatele kui ka kirjastajatele. Isegi terve Ristikivi luulekogu on korra vene keeles tr\u00fckitud: Boriss Baljasn\u00f5i t\u00f5lkes ilmusid need luuletused 1998. aastal Tallinna kirjastuses \u201eAvenarius\u201c sarjas \u201eEesti luule vene koolile\u201c (Irina Belobrovtseva toimetusel). Selle t\u00f5lke kommentaari ja sissejuhatuse kirjutas Aurika Meimre. Nii et 1998. aasta v\u00e4ljaanne s\u00e4ilitab igaveseks oma kronoloogilise \u00fclemuslikkuse.<\/p>\n

Aga kui raamat Inimese teekond<\/em> oli juba korra vene keelde t\u00f5lgitud, siis kuidas seletada naasmist Karl Ristikivi luule vene keelde t\u00f5lkimise juurde mituk\u00fcmmend aastat hiljem? Erilist p\u00f5hjust \u2013 kui sellist \u2013 siin ei ole, nagu pole ka p\u00f5hjust luulel endal. Poeetilised tekstid ilmuvad \u2013 Anna Ahmatova \u00f6elduna, \u201epr\u00fcgi seest v\u00e4lja\u201c (iz sora<\/em>), \u201eh\u00e4bi tundmata\u201c (ne vedaja styda<\/em>) \u2013 siis, kui nad lihtsalt ei saa teisiti, kui ilmuvad (selles m\u00f5ttes n\u00e4ib luule kajastavat elu ennast, mille \u201ep\u00f5hjustest\u201c r\u00e4\u00e4kimine on vaevalt v\u00f5imalik). \u2026Ammu enne seda, kui sain teada Ristikivi luuletuste t\u00f5lgetest, k\u00f5las tema luule minus mu emakeeles. Siis \u2013 j\u00e4lle. Ja veel ja veel… Nii et l\u00f5puks polnudki muud vaja teha, kui t\u00f5lkida eesti keelest veel m\u00f5ned selle raamatu tekstid, mis seni mu jaoks t\u00f5lgituna puudusid \u2013 ja oligi k\u00f5ik. Raamat kasvas justkui iseenesest. \u201eNagu kollane v\u00f5ilill aia \u00e4\u00e4res, nagu takjad ja malts\u201c, \u00fctleks Ahmatova… Pealegi, korduvad t\u00f5lked on kirjandusloos tavaline asi.<\/p>\n

V\u00f5ib-olla ei seleta neid spontaanseid, esialgu planeerimata t\u00f5lkeid mitte ainult eesti poeedi ja minu enda poeetilise maailma \u2013 t\u00f5lkija maailma \u2013 luuletuste eriline sisemine l\u00e4hedus, vaid ka see, et t\u00e4nap\u00e4eval tundub Karl Ristikivi luule aktuaalne<\/em>. Siin on ilmselt parem selgitada: kui luuletajat nimetatakse \u201eaktuaalseks\u201c, \u201easjakohaseks\u201c, ei pea paljud seda t\u00f5en\u00e4oliselt komplimendiks \u2013 kas luule \u201easjakohasus\u201c ja \u201eaktuaalsus\u201c ei tapa luulet kui sellist?… V\u00f5ib-olla. Ometi on hoopis teine asi, kui jutt k\u00e4ib minevikust p\u00e4rit poeedist ja luuletaja ise ei p\u00fcrginud \u00fcldse mingi kurikuulsa \u201eaktuaalsuse\u201c poole. Karl Ristikivi esitletav luule on just selline.<\/p>\n

T\u00e4nap\u00e4eva \u2013 justkui \u00fcle\u00f6\u00f6, nii dramaatiliselt \u2013 muutunud maailmas kerkib \u00fcha enam esile nostalgia, \u00fcksinduse ja igavese r\u00e4nnaku teema, r\u00e4\u00e4kimata \u201eisamaatusest\u201c: just selle s\u00f5naga l\u00f5peb Ristikivi kuulsaim poeetiline tekst \u201eArkaadia teel\u201c… Seet\u00f5ttu, isegi Ristikivi elust v\u00f5i loomingust midagi teadmata, ei j\u00e4\u00e4 tema luuletuste lugejal tundmata h\u00e4mmastavad paralleelid: v\u00e4ljar\u00e4nde ja igatsuse, kodumaa-nostalgia teema kajab tema luuletustes \u00fches reaalse maailma \u2013 ja v\u00e4ljam\u00f5eldud, fantaasiamaailma \u2013 teemaga. Ning polegi selge, mis on poeedi jaoks t\u00f5elisem: tema (t\u00f5eline?) olevik v\u00f5i igaveseks kadunud minevik.<\/p>\n

Olgu kuidas on, aga kui teada ja m\u00e4letada, et kunagi minevikus inimesed juba elasid l\u00e4bi midagi sarnast sellega, mida paljud praegu kogevad \u2013 ja nad elasid l\u00e4bi, j\u00e4\u00e4dvustades oma tundeid kaunitesse surematutesse salmidesse, \u2013 see teadmine ise soojendab, toetab ja annab lootust.<\/p>\n

Ait<\/em>\u00e4h<\/em>, Karl<\/em> Ristikivi<\/em>.<\/p>\n

 <\/p>\n

*******<\/p>\n

 <\/p>\n

\u041f\u041e\u042d\u0422\u0418\u0427\u0415\u0421\u041a\u0418\u0419 \u0421\u0411\u041e\u0420\u041d\u0418\u041a \u041a\u0410\u0420\u041b\u0410 \u0420\u0418\u0421\u0422\u0418\u041a\u0418\u0412\u0418 \u041f\u0423\u0422\u042c \u0427\u0415\u041b\u041e\u0412\u0415\u041a\u0410<\/em> (1972). <\/strong><\/p>\n

\u0421\u0415\u0413\u041e\u0414\u041d\u042f.<\/strong><\/p>\n

(\u041d\u0435 \u043e\u043f\u0443\u0431\u043b\u0438\u043a\u043e\u0432\u0430\u043d\u043d\u043e\u0435 \u0432 \u043a\u043d\u0438\u0433\u0435 \u043f\u043e\u0441\u043b\u0435\u0441\u043b\u043e\u0432\u0438\u0435 \u043f\u0435\u0440\u0435\u0432\u043e\u0434\u0447\u0438\u0446\u044b)<\/strong><\/p>\n

 <\/p>\n

\u041a\u043b\u0430\u0441\u0441\u0438\u043a \u044d\u0441\u0442\u043e\u043d\u0441\u043a\u043e\u0439 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u044b, \u041a\u0430\u0440\u043b \u0420\u0438\u0441\u0442\u0438\u043a\u0438\u0432\u0438 (1912-1977) \u0431\u043e\u043b\u044c\u0448\u0435 \u0438\u0437\u0432\u0435\u0441\u0442\u0435\u043d \u0441\u0435\u0433\u043e\u0434\u043d\u044f \u043a\u0430\u043a \u043f\u0440\u043e\u0437\u0430\u0438\u043a, \u0438 \u044d\u0442\u043e \u043d\u0435\u0443\u0434\u0438\u0432\u0438\u0442\u0435\u043b\u044c\u043d\u043e: \u0432 \u0442\u0435\u0447\u0435\u043d\u0438\u0435 \u0441\u0432\u043e\u0435\u0439 \u0436\u0438\u0437\u043d\u0438 \u0420\u0438\u0441\u0442\u0438\u043a\u0438\u0432\u0438 \u043e\u043f\u0443\u0431\u043b\u0438\u043a\u043e\u0432\u0430\u043b \u043c\u043d\u043e\u0436\u0435\u0441\u0442\u0432\u043e \u043f\u0440\u043e\u0437\u0430\u0438\u0447\u0435\u0441\u043a\u0438\u0445 \u0442\u0435\u043a\u0441\u0442\u043e\u0432 (\u0438\u0437 \u043a\u043e\u0442\u043e\u0440\u044b\u0445 \u043b\u0443\u0447\u0448\u0435 \u0434\u0440\u0443\u0433\u0438\u0445 \u0438\u0437\u0432\u0435\u0441\u0442\u043d\u044b \u0435\u0433\u043e \u0440\u043e\u043c\u0430\u043d\u044b) \u2013 \u0438 \u0432\u0441\u0435\u0433\u043e \u043e\u0434\u0438\u043d \u043f\u043e\u044d\u0442\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u0441\u0431\u043e\u0440\u043d\u0438\u043a, Inimese<\/em> teekond<\/em>, \u0438\u0437\u0434\u0430\u043d\u043d\u044b\u0439 \u0432 \u0428\u0432\u0435\u0446\u0438\u0438 \u043a \u0448\u0435\u0441\u0442\u0438\u0434\u0435\u0441\u044f\u0442\u0438\u043b\u0435\u0442\u0438\u044e \u0420\u0438\u0441\u0442\u0438\u043a\u0438\u0432\u0438, \u0432 1972 \u0433\u043e\u0434\u0443. \u0412 2024 \u0433\u043e\u0434\u0443 \u0442\u0430\u043b\u043b\u0438\u043d\u043d\u0441\u043a\u043e\u0435 \u0438\u0437\u0434\u0430\u0442\u0435\u043b\u044c\u0441\u0442\u0432\u043e \u00abAleksandra\u00bb \u043e\u043f\u0443\u0431\u043b\u0438\u043a\u043e\u0432\u0430\u043b\u043e \u0440\u0443\u0441\u0441\u043a\u0438\u0439 \u043f\u0435\u0440\u0435\u0432\u043e\u0434 \u044d\u0442\u043e\u0439 \u043a\u043d\u0438\u0433\u0438.<\/p>\n

\u041a\u043d\u0438\u0433\u0430 \u0420\u0438\u0441\u0442\u0438\u043a\u0438\u0432\u0438 \u043d\u0435\u043e\u0434\u043d\u043e\u043a\u0440\u0430\u0442\u043d\u043e \u0438\u0437\u0434\u0430\u0432\u0430\u043b\u0430\u0441\u044c \u0432 \u042d\u0441\u0442\u043e\u043d\u0438\u0438, \u043f\u043e-\u044d\u0441\u0442\u043e\u043d\u0441\u043a\u0438 \u2013 \u0432 \u0442\u043e\u043c \u0447\u0438\u0441\u043b\u0435 \u0438 \u0437\u0430 \u043f\u043e\u0441\u043b\u0435\u0434\u043d\u0438\u0435 \u043d\u0435\u0441\u043a\u043e\u043b\u044c\u043a\u043e \u043b\u0435\u0442; \u043e\u0442\u0434\u0435\u043b\u044c\u043d\u044b\u0435 \u0432\u0445\u043e\u0434\u044f\u0449\u0438\u0435 \u0432 \u043d\u0435\u0435 \u0442\u0435\u043a\u0441\u0442\u044b \u043f\u0435\u0440\u0435\u043f\u0435\u0447\u0430\u0442\u044b\u0432\u0430\u043b\u0438\u0441\u044c \u0438 \u0432 \u0434\u0440\u0443\u0433\u0438\u0445 \u043f\u043e\u044d\u0442\u0438\u0447\u0435\u0441\u043a\u0438\u0445 \u0441\u0431\u043e\u0440\u043d\u0438\u043a\u0430\u0445. \u041a\u043d\u0438\u0433\u0430 \u0443\u0436\u0435 \u0431\u044b\u043b\u0430 \u043f\u0435\u0440\u0435\u0432\u0435\u0434\u0435\u043d\u0430 \u043d\u0430 \u043d\u0435\u0441\u043a\u043e\u043b\u044c\u043a\u043e \u044f\u0437\u044b\u043a\u043e\u0432 \u2013 \u0444\u0438\u043d\u0441\u043a\u0438\u0439 (1998), \u0432\u0435\u043d\u0433\u0435\u0440\u0441\u043a\u0438\u0439 (2011), \u0444\u0440\u0430\u043d\u0446\u0443\u0437\u0441\u043a\u0438\u0439 (2002), \u0443\u0434\u043c\u0443\u0440\u0442\u0441\u043a\u0438\u0439 (2004), \u043c\u0430\u0440\u0438\u0439\u0441\u043a\u0438\u0439 (2008)\u2026 \u041e\u0442\u0434\u0435\u043b\u044c\u043d\u044b\u0435 \u0442\u0435\u043a\u0441\u0442\u044b, \u0432\u043e\u0448\u0435\u0434\u0448\u0438\u0435 \u0432 \u043a\u043d\u0438\u0433\u0443, \u0431\u044b\u043b\u0438 \u043a \u0442\u043e\u043c\u0443 \u0436\u0435 \u043f\u0435\u0440\u0435\u0432\u0435\u0434\u0435\u043d\u044b \u043d\u0430 \u0430\u043d\u0433\u043b\u0438\u0439\u0441\u043a\u0438\u0439, \u043d\u0435\u043c\u0435\u0446\u043a\u0438\u0439, \u0448\u0432\u0435\u0434\u0441\u043a\u0438\u0439, \u043a\u043e\u043c\u0438\u2026 \u0421\u0430\u043c \u0444\u0430\u043a\u0442 \u043f\u0435\u0440\u0435\u0432\u043e\u0434\u0430 \u0441\u0442\u0438\u0445\u043e\u0432 \u0420\u0438\u0441\u0442\u0438\u043a\u0438\u0432\u0438 \u043d\u0430 \u043d\u0435\u0441\u043a\u043e\u043b\u044c\u043a\u043e \u044f\u0437\u044b\u043a\u043e\u0432 \u0441\u0432\u0438\u0434\u0435\u0442\u0435\u043b\u044c\u0441\u0442\u0432\u0443\u0435\u0442 \u043e \u043d\u0435\u0441\u043e\u043c\u043d\u0435\u043d\u043d\u043e\u043c \u0438\u043d\u0442\u0435\u0440\u0435\u0441\u0435 \u043a \u0442\u0432\u043e\u0440\u0447\u0435\u0441\u0442\u0432\u0443 \u044d\u0441\u0442\u043e\u043d\u0441\u043a\u043e\u0433\u043e \u043f\u043e\u044d\u0442\u0430 \u0432 \u0440\u0430\u0437\u043d\u044b\u0445 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u0430\u0445.<\/p>\n

\u041d\u0435\u043a\u043e\u0442\u043e\u0440\u044b\u0435 \u0442\u0435\u043a\u0441\u0442\u044b \u0438\u0437 \u0441\u0431\u043e\u0440\u043d\u0438\u043a\u0430 \u041f\u0443\u0442\u044c \u0447\u0435\u043b\u043e\u0432\u0435\u043a\u0430<\/em> \u0443\u0436\u0435 \u0431\u044b\u043b\u0438 \u043f\u0435\u0440\u0435\u0432\u0435\u0434\u0435\u043d\u044b \u0438 \u043d\u0430 \u0440\u0443\u0441\u0441\u043a\u0438\u0439 \u044f\u0437\u044b\u043a \u2013 \u0443\u043f\u043e\u043c\u044f\u043d\u0443 \u0432 \u044d\u0442\u043e\u0439 \u0441\u0432\u044f\u0437\u0438 \u043f\u0440\u0435\u0436\u0434\u0435 \u0432\u0441\u0435\u0433\u043e \u043f\u0435\u0440\u0435\u0432\u043e\u0434\u044b, \u0432\u044b\u043f\u043e\u043b\u043d\u0435\u043d\u043d\u044b\u0435 \u0434\u0440\u0443\u0433\u0438\u043c \u0438\u0437\u0432\u0435\u0441\u0442\u043d\u044b\u043c \u044d\u0441\u0442\u043e\u043d\u0441\u043a\u0438\u043c \u043f\u043e\u044d\u0442\u043e\u043c, \u042f\u0430\u043d\u043e\u043c \u041a\u0430\u043f\u043b\u0438\u043d\u0441\u043a\u0438\u043c, \u043a\u043e\u0442\u043e\u0440\u044b\u0439 \u043e\u0437\u0432\u0443\u0447\u0438\u043b \u043f\u043e\u044d\u0437\u0438\u044e \u0420\u0438\u0441\u0442\u0438\u043a\u0438\u0432\u0438 \u043d\u0435 \u0442\u043e\u043b\u044c\u043a\u043e \u043f\u043e-\u0440\u0443\u0441\u0441\u043a\u0438, \u043d\u043e \u0438 \u043f\u043e-\u0430\u043d\u0433\u043b\u0438\u0439\u0441\u043a\u0438. \u041f\u043e\u044d\u0442\u0438\u0447\u0435\u0441\u043a\u0438\u0435 \u0442\u0435\u043a\u0441\u0442\u044b \u041a\u0430\u0440\u043b\u0430 \u0420\u0438\u0441\u0442\u0438\u043a\u0438\u0432\u0438 \u0438\u043d\u0442\u0435\u0440\u0435\u0441\u043e\u0432\u0430\u043b\u0438 \u043a\u0430\u043a \u0440\u0443\u0441\u0441\u043a\u043e\u044f\u0437\u044b\u0447\u043d\u044b\u0445 \u043f\u0435\u0440\u0435\u0432\u043e\u0434\u0447\u0438\u043a\u043e\u0432, \u0442\u0430\u043a \u0438 \u0438\u0437\u0434\u0430\u0442\u0435\u043b\u0435\u0439. \u041d\u0430 \u0440\u0443\u0441\u0441\u043a\u0438\u0439 \u044f\u0437\u044b\u043a \u0443\u0436\u0435 \u0431\u044b\u043b \u043f\u0435\u0440\u0435\u0432\u0435\u0434\u0435\u043d \u0438 \u0432\u0435\u0441\u044c \u043f\u043e\u044d\u0442\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u0441\u0431\u043e\u0440\u043d\u0438\u043a \u0420\u0438\u0441\u0442\u0438\u043a\u0438\u0432\u0438: \u0432 \u043f\u0435\u0440\u0435\u0432\u043e\u0434\u0435 \u0411\u043e\u0440\u0438\u0441\u0430 \u0411\u0430\u043b\u044f\u0441\u043d\u043e\u0433\u043e \u0441\u0442\u0438\u0445\u0438 \u0420\u0438\u0441\u0442\u0438\u043a\u0438\u0432\u0438 \u0431\u044b\u043b\u0438 \u0438\u0437\u0434\u0430\u043d\u044b \u0432 1998 \u0433\u043e\u0434\u0443 \u0442\u0430\u043b\u043b\u0438\u043d\u043d\u0441\u043a\u0438\u043c \u0438\u0437\u0434\u0430\u0442\u0435\u043b\u044c\u0441\u0442\u0432\u043e\u043c \u00ab\u0410\u0432\u0435\u043d\u0430\u0440\u0438\u0443\u0441\u00bb \u0432 \u0441\u0435\u0440\u0438\u0438 \u00ab\u042d\u0441\u0442\u043e\u043d\u0441\u043a\u0430\u044f \u043f\u043e\u044d\u0437\u0438\u044f \u0434\u043b\u044f \u0440\u0443\u0441\u0441\u043a\u043e\u0439 \u0448\u043a\u043e\u043b\u044b\u00bb, \u0432 \u0442\u043e \u0432\u0440\u0435\u043c\u044f \u0432\u044b\u0445\u043e\u0434\u0438\u0432\u0448\u0435\u0439 \u043f\u043e\u0434 \u0440\u0435\u0434\u0430\u043a\u0446\u0438\u0435\u0439 \u0418\u0440\u0438\u043d\u044b \u0411\u0435\u043b\u043e\u0431\u0440\u043e\u0432\u0446\u0435\u0432\u043e\u0439. \u041a\u043e\u043c\u043c\u0435\u043d\u0442\u0430\u0440\u0438\u0438 \u0438 \u043f\u0440\u0435\u0434\u0438\u0441\u043b\u043e\u0432\u0438\u0435 \u043a \u044d\u0442\u043e\u043c\u0443 \u043f\u0435\u0440\u0435\u0432\u043e\u0434\u0443 \u043d\u0430\u043f\u0438\u0441\u0430\u043b\u0430 \u0410\u0443\u0440\u0438\u043a\u0430 \u041c\u0435\u0439\u043c\u0440\u0435. \u0417\u043d\u0430\u0447\u0438\u043c\u043e\u0435 \u0434\u043b\u044f \u0438\u0441\u0442\u043e\u0440\u0438\u0438 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u044b, \u0438\u0437\u0434\u0430\u043d\u0438\u0435 1998 \u0433\u043e\u0434\u0430 \u043d\u0430\u0432\u0441\u0435\u0433\u0434\u0430 \u0441\u043e\u0445\u0440\u0430\u043d\u0438\u0442 \u0441\u0432\u043e\u0435 \u0445\u0440\u043e\u043d\u043e\u043b\u043e\u0433\u0438\u0447\u0435\u0441\u043a\u043e\u0435 \u043f\u0435\u0440\u0432\u0435\u043d\u0441\u0442\u0432\u043e.<\/p>\n

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\u043d\u0430\u0432\u0441\u0435\u0433\u0434\u0430 \u043f\u0440\u043e\u0448\u043b\u043e\u0435.<\/p>\n

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\u0421\u043f\u0430\u0441\u0438\u0431\u043e, \u041a\u0430\u0440\u043b \u0420\u0438\u0441\u0442\u0438\u043a\u0438\u0432\u0438.<\/em><\/p>\n

Ekaterina Velmezova<\/a><\/span>, University of Lausanne<\/p>\n

 <\/p>\n

 <\/p>\n

Edited by: Olga Burenina-Petrova, University of Zurich & University of Konstanz and Daria Fargues, University of Lausanne<\/p>\n","protected":false},"excerpt":{"rendered":"

Eesti kirjanduse klassik Karl Ristikivi (1912-1977) on t\u00e4nap\u00e4eval rohkem tuntud prosaistina, ja see pole \u00fcllatav: oma elu jooksul avaldas ta palju Read More →<\/a><\/span><\/p>\n","protected":false},"author":709,"featured_media":15969,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_FSMCFIC_featured_image_caption":"","_FSMCFIC_featured_image_nocaption":"","_FSMCFIC_featured_image_hide":"","footnotes":""},"categories":[81],"tags":[359,116,358,577,114],"class_list":["entry","author-olga","has-excerpt","post-15935","post","type-post","status-publish","format-standard","has-post-thumbnail","category-review","tag-ekaterina-velmezova","tag-english","tag-estonian","tag-karl-ristikivi","tag-russian"],"acf":[],"_links":{"self":[{"href":"https:\/\/dlf.uzh.ch\/sites\/slavicumpress\/wp-json\/wp\/v2\/posts\/15935","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dlf.uzh.ch\/sites\/slavicumpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dlf.uzh.ch\/sites\/slavicumpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dlf.uzh.ch\/sites\/slavicumpress\/wp-json\/wp\/v2\/users\/709"}],"replies":[{"embeddable":true,"href":"https:\/\/dlf.uzh.ch\/sites\/slavicumpress\/wp-json\/wp\/v2\/comments?post=15935"}],"version-history":[{"count":9,"href":"https:\/\/dlf.uzh.ch\/sites\/slavicumpress\/wp-json\/wp\/v2\/posts\/15935\/revisions"}],"predecessor-version":[{"id":15964,"href":"https:\/\/dlf.uzh.ch\/sites\/slavicumpress\/wp-json\/wp\/v2\/posts\/15935\/revisions\/15964"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dlf.uzh.ch\/sites\/slavicumpress\/wp-json\/wp\/v2\/media\/15969"}],"wp:attachment":[{"href":"https:\/\/dlf.uzh.ch\/sites\/slavicumpress\/wp-json\/wp\/v2\/media?parent=15935"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dlf.uzh.ch\/sites\/slavicumpress\/wp-json\/wp\/v2\/categories?post=15935"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dlf.uzh.ch\/sites\/slavicumpress\/wp-json\/wp\/v2\/tags?post=15935"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}