{"id":13821,"date":"2023-05-15T20:25:53","date_gmt":"2023-05-15T18:25:53","guid":{"rendered":"https:\/\/dlf.uzh.ch\/sites\/slavicumpress\/?p=13821"},"modified":"2023-05-15T20:28:44","modified_gmt":"2023-05-15T18:28:44","slug":"michail-bulgakows-das-huendische-herz-adaptiert-als-graphic-novel-von-emily-magdalena-orlet","status":"publish","type":"post","link":"https:\/\/dlf.uzh.ch\/sites\/slavicumpress\/2023\/05\/15\/michail-bulgakows-das-huendische-herz-adaptiert-als-graphic-novel-von-emily-magdalena-orlet\/","title":{"rendered":"Michail Bulgakows \u00abDas h\u00fcndische Herz\u00bb \u2013 adaptiert als Graphic Novel von Emily Magdalena Orlet"},"content":{"rendered":"

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MICHAIL BULGAKOWS \u00abDAS H\u00dcNDISCHE HERZ\u00bb \u2013 ADAPTIERT ALS GRAPHIC NOVEL <\/strong><\/p>\n

Anhand der 2013 neu erschienenen deutschen \u00dcbersetzung von Alexander Nitzberg adaptierte Emily Magdalena Orlet 2016 \u00abDas H\u00fcndische Herz\u00bb von Michail Bulgakow in den vorliegenden Graphic Novel. Ein Jahr nach Beendigung ihres Graphic Novels besuchte sie w\u00e4hrend ihres siebenmonatigen Aufenthalts in Russland das Bulgakow-Museum in Moskau, die j\u00e4hrlich stattfindende Internationale Wissenschaftliche Konferenz zu Bulgakow und verschiedene Schaupl\u00e4tze seiner Erz\u00e4hlungen in Moskau. Dazu publizierte sie einen Beitrag in ihrem pers\u00f6nlichen Blog in der russischen Zeitung \u00abSankt Petersburger Herold\u00bb<\/span><\/a>. Im Jahr 2022 schloss Emily Magdalena Orlet mit einem BA Fine Arts die Kunsthochschule ECAL\/ \u00c9cole cantonale d\u2019art de Lausanne ab. Sie stellte ihre Arbeit im MAMCO\/Mus\u00e9e d\u2019art moderne et contemporain de Gen\u00e8ve<\/span><\/a>, \u00c9LAC\/Espace lausannois d\u2019art contemporain (\u00c9CAL)<\/span><\/a> und in einer Einzelausstellung im Balkkon\/Kunstzentrum in Neuch\u00e2tel<\/span><\/a> aus. \u00dcber ihre Arbeiten und Ausstellungen informiert die K\u00fcnstlerin auf ihrer Instagram-Seite<\/span><\/a>.<\/p>\n

Pers\u00f6nlicher Kommentar der K\u00fcnstlerin zu Bulgakows \u00abDas H\u00fcndische Herz\u00bb:<\/strong> \u00abWovor warnt Bulgakov? Das fragte ich mich beim Lesen von Michail Bulgakows Buch \u00abDas H\u00fcndische Herz\u00bb, in dessen Zentrum die durch einen Arzt vorgenommene experimentelle Gehirnoperation an einem Hund steht, in deren Folge der Hund g\u00e4nzlich zum Organspender mutiert. Aus der von Bulgakov entworfenen Asymmetrie der menschlichen Eigenschaften f\u00fcr den Hund und der animalischen Eigenschaften f\u00fcr den Mensch schloss ich, dass f\u00fcr Bulgakow Identit\u00e4t aus individuellem Charakter und Wesen besteht. Weiter bindet Bulgakow die Operation an Gefahr. Der Arzt macht die Operation r\u00fcckg\u00e4ngig, als die Gewalt vom auferstandenen Mensch \u2013 er hat ein menschliches Herz- immer mehr zu eskalieren droht. Nun, wovor warnt Bulgakov? Der Autor verortet die Gefahr in zwei Momenten. Einerseits geht die Gefahr von der Hybris, dem unrechtm\u00e4ssigen Eingriff in die Natur, den individuellen K\u00f6rper und das Ich, aus. Andererseits liegt die Gefahr im menschlichen Herzen, das f\u00e4hig zur Gewalt ist.\u00bb<\/p>\n

MIKHA\u00cfL BULGAKOV’S \u00abTHE HEART OF A DOG\u00bb \u2013 ADAPTED AS A GRAPHIC NOVEL <\/strong><\/p>\n

Based on the newly published German translation of 2013 by Alexander Nitzberg, Emily Magdalena Orlet adapted \u00abThe Heart of a Dog\u00bb by Mikha\u00efl Bulgakov into the here presented graphic novel in 2016. One year after concluding her graphic novel, she visited the Bulgakov Museum in Moscow, the annual International Scientific Conference on Bulgakov and various locations of his stories in Moscow during her seven-month stay in Russia. She published an article about this in her personal blog in the Russian newspaper \u00abSankt Petersburger Herold\u00bb<\/span><\/a>. In 2022, Emily Magdalena Orlet graduated from ECAL\/\u00c9cole cantonale d’art de Lausanne with a BA Fine Arts. She has exhibited her work at MAMCO\/Mus\u00e9e d’art moderne et contemporain de Gen\u00e8ve<\/span><\/a>, \u00c9LAC\/Espace lausannois d’art contemporain (\u00c9CAL)<\/span><\/a> and in a solo exhibition at Balkkon\/art centre in Neuch\u00e2tel<\/span><\/a>. The artist provides information about her works and exhibitions on her Instagram page<\/a><\/span>.<\/p>\n

The artist’s personal comment on Bulgakov’s \u00abThe Heart of a Dog\u00bb:<\/strong> \u00abWhat is Bulgakov warning about? I asked myself this question while reading Mikhail Bulgakov’s book \u00abThe Heart of a Dog\u00bb, which is about an experimental brain operation performed on a dog by a doctor, as a result of which the dog mutates completely into the organ donor. From Bulgakov’s asymmetry of human qualities for the dog and animal qualities for the human, I concluded that for Bulgakov identity consists of individual character and being. Furthermore, Bulgakov ties the operation to danger. The doctor reverses the operation when the violence from the resurrected human \u2013 he has a human heart \u2013 threatens to escalate more and more. So, what is Bulgakov warning about? The author locates the danger in two moments. Firstly, the danger emanates from hubris, the unlawful intervention in nature, in the individual body and in the self. Secondly, the danger lies in the human heart, which is capable of violence.\u00bb<\/p>\n

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\u00a9 Emily \u041c. Orlet<\/span><\/a>, Zurcih<\/p>\n

Bildlegende: Tusche, Wasserfarben und Filzstift auf Papier, 18 Seiten DIN A4, 20.12.2016 (Detailansicht) \/ Ink, watercolours and felt pen on paper, 18 pages DIN A4, 20.12.2016 (Detail view) \/ \u00a9 Emily Magdalena Orlet<\/p>\n

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Edited by: Angelina Zueva Keller, Das Russische Sprachstudio, Zurich and Olga Burenina-Petrova, University of Zurich & University of Konstanz<\/p>\n","protected":false},"excerpt":{"rendered":"

Anhand der 2013 neu erschienenen deutschen \u00dcbersetzung von A. Nitzberg adaptierte Emily Magdalena Orlet 2016 \u00abDas H\u00fcndische Herz\u00bb von M. BulgakowRead More →<\/a><\/span><\/p>\n","protected":false},"author":709,"featured_media":13842,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_FSMCFIC_featured_image_caption":"","_FSMCFIC_featured_image_nocaption":"","_FSMCFIC_featured_image_hide":"","footnotes":""},"categories":[82],"tags":[525,116,115],"class_list":["entry","author-olga","has-excerpt","post-13821","post","type-post","status-publish","format-standard","has-post-thumbnail","category-transfer","tag-emily--orlet","tag-english","tag-german"],"acf":[],"_links":{"self":[{"href":"https:\/\/dlf.uzh.ch\/sites\/slavicumpress\/wp-json\/wp\/v2\/posts\/13821","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dlf.uzh.ch\/sites\/slavicumpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dlf.uzh.ch\/sites\/slavicumpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dlf.uzh.ch\/sites\/slavicumpress\/wp-json\/wp\/v2\/users\/709"}],"replies":[{"embeddable":true,"href":"https:\/\/dlf.uzh.ch\/sites\/slavicumpress\/wp-json\/wp\/v2\/comments?post=13821"}],"version-history":[{"count":10,"href":"https:\/\/dlf.uzh.ch\/sites\/slavicumpress\/wp-json\/wp\/v2\/posts\/13821\/revisions"}],"predecessor-version":[{"id":13878,"href":"https:\/\/dlf.uzh.ch\/sites\/slavicumpress\/wp-json\/wp\/v2\/posts\/13821\/revisions\/13878"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dlf.uzh.ch\/sites\/slavicumpress\/wp-json\/wp\/v2\/media\/13842"}],"wp:attachment":[{"href":"https:\/\/dlf.uzh.ch\/sites\/slavicumpress\/wp-json\/wp\/v2\/media?parent=13821"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dlf.uzh.ch\/sites\/slavicumpress\/wp-json\/wp\/v2\/categories?post=13821"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dlf.uzh.ch\/sites\/slavicumpress\/wp-json\/wp\/v2\/tags?post=13821"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}