{"id":15,"date":"2020-03-26T19:05:33","date_gmt":"2020-03-26T19:05:33","guid":{"rendered":"https:\/\/dlf.uzh.ch\/sites\/repertoriomultimedia\/?page_id=15"},"modified":"2021-03-05T01:04:39","modified_gmt":"2021-03-04T23:04:39","slug":"proyecto","status":"publish","type":"page","link":"https:\/\/dlf.uzh.ch\/sites\/salasportugal\/proyecto\/","title":{"rendered":"Proyecto"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text css_animation=\u201czoomIn\u201d el_class=\u201ctext-justify\u201d]<\/p>\n<figure class=\"wp-block-image alignfull size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"561\" class=\"wp-image-643\" src=\"https:\/\/dlf.uzh.ch\/sites\/repertoriomultimedia\/files\/2020\/06\/M.Mittler-1953-2-1024x561.jpg\" alt srcset=\"https:\/\/dlf.uzh.ch\/sites\/salasportugal\/files\/2020\/06\/M.Mittler-1953-2-1024x561.jpg 1024w, https:\/\/dlf.uzh.ch\/sites\/salasportugal\/files\/2020\/06\/M.Mittler-1953-2-300x164.jpg 300w, https:\/\/dlf.uzh.ch\/sites\/salasportugal\/files\/2020\/06\/M.Mittler-1953-2-768x421.jpg 768w, https:\/\/dlf.uzh.ch\/sites\/salasportugal\/files\/2020\/06\/M.Mittler-1953-2-1536x842.jpg 1536w, https:\/\/dlf.uzh.ch\/sites\/salasportugal\/files\/2020\/06\/M.Mittler-1953-2-2048x1123.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\"><\/figure>\n<p>&nbsp;<\/p>\n\n<div class=\"wp-block-group alignfull\">\n<div class=\"wp-block-group__inner-container\">&nbsp;<\/div>\n<\/div>\n<p style=\"text-align: justify;\"><\/p>\n<p><span style=\"font-family: 'courier new', courier, monospace;\">\u00abSi fotogra\ufb01ar es pin\u00adtar con luz, escribir es fotogra\ufb01ar con pal\u00adabras\u00bb. Con esta asev\u00aderaci\u00f3n, el fot\u00f3\u00adgrafo mex\u00adi\u00adcano Arman\u00addo Salas Por\u00adtu\u00adgal (Mon\u00adter\u00adrey, 1916 \u2013 Ciu\u00addad de M\u00e9x\u00adi\u00adco, 1995) de\ufb01ni\u00f3 su visi\u00f3n per\u00adson\u00adal sobre las inter\u00adac\u00adciones entre la ima\u00adgen y la escrit\u00adu\u00adra, como un pro\u00adced\u00adimien\u00adto inter\u00adme\u00addi\u00adal para el arte de la fotograf\u00eda. Bau\u00adti\u00adza\u00addo por el poeta Car\u00adlos Pel\u00adlicer y el pin\u00adtor Ger\u00adar\u00addo Muril\u00adlo (Dr. Atl) como el \u00abcro\u00adnista del paisaje de M\u00e9x\u00adi\u00adco\u00bb, Salas Por\u00adtu\u00adgal es el autor de una obra que podr\u00edamos cal\u00adi\ufb01\u00adcar de arque\u00adol\u00f3g\u00adi\u00adca visu\u00adal sobre las cul\u00adturas mesoamer\u00adi\u00adcanas y el pat\u00adri\u00admo\u00adnio inmue\u00adble del peri\u00ado\u00addo colo\u00adnial. Series como \u00abLagu\u00adna, mar y sel\u00adva\u00bb (M\u00e9x\u00adi\u00adco D.F., Pala\u00adcio Nacional de Bel\u00adlas Artes, 1959) y \u00abLos antigu\u00ados reinos\u00bb (M\u00e9x\u00adi\u00adco D.F., Cen\u00adtro Cul\u00adtur\u00adal de Arte Con\u00adtem\u00adpor\u00e1\u00adneo, 1986) dan cuen\u00adta de una ver\u00adsa\u00adtil\u00adi\u00addad art\u00eds\u00adti\u00adca y per\u00adcep\u00adti\u00adva, que se extiende al reg\u00adistro del crec\u00adimien\u00adto urbano en el otro\u00adra Dis\u00adtri\u00adto Fed\u00ader\u00adal de medi\u00ada\u00addos del siglo XX. La ampli\u00adtud de su mira\u00adda fotogr\u00e1\ufb01\u00adca, con\u00advierte a Salas Por\u00adtu\u00adgal en \u00abuno de los actores prin\u00adci\u00adpales de la con\u00adstruc\u00adci\u00f3n visu\u00adal de la mod\u00adernidad\u00bb arqui\u00adtec\u00adt\u00f3ni\u00adca mex\u00adi\u00adcana (J\u00e1come 2009). Menos cono\u00adci\u00adda resul\u00adta su pro\u00adduc\u00adci\u00f3n tex\u00adtu\u00adal, donde se rev\u00adela un mar\u00adca\u00addo inter\u00e9s por las sin\u00ader\u00adgias entre los mod\u00ados de con\u00adstru\u00adir la plas\u00adti\u00adci\u00addad de la ima\u00adgen y, por una parte, y, por la otra, la ret\u00f3ri\u00adca del dis\u00adcur\u00adso po\u00e9ti\u00adco. Esta fac\u00adeta lit\u00ader\u00adaria, que el fot\u00f3\u00adgrafo desar\u00adrol\u00adl\u00f3 en para\u00adle\u00adlo a su for\u00adma\u00adci\u00f3n como qu\u00edmi\u00adco per\u00adfumista, ape\u00adnas ha sido abor\u00adda\u00adda des\u00adde una per\u00adspec\u00adti\u00adva biogr\u00e1\ufb01\u00adca por la his\u00adto\u00adri\u00adograf\u00eda cr\u00edti\u00adca, dejan\u00addo de lado algunos aspec\u00adtos rel\u00ade\u00advantes para los estu\u00addios te\u00f3ri\u00adcos sobre la est\u00e9ti\u00adca trans\u00adme\u00addi\u00adal que sub\u00ady\u00adace en este cor\u00adpus. As\u00ed pues, lo que a primera vista parece ser una poli\u00admat\u00eda, resul\u00adta ser una unidad com\u00adple\u00adja y mul\u00adti\u00adfac\u00e9ti\u00adca de din\u00e1mi\u00adcas que atraviesan el aspec\u00adto gra\u00admat\u00adi\u00adcal de la fotograf\u00eda, como puente entre las artes y la inves\u00adti\u00adgaci\u00f3n en el cam\u00adpo acad\u00e9mi\u00adco de los estu\u00addios lit\u00ader\u00adar\u00adios y cul\u00adtur\u00adales latinoamericanos.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: 'courier new', courier, monospace;\"><\/span><\/p>\n<p><br><span style=\"font-family: 'courier new', courier, monospace;\"><strong>ALCANCE DID\u00c1CTICO Y FORMACI\u00d3N ACAD\u00c9MICA<\/strong><\/span><br><span style=\"font-family: 'courier new', courier, monospace;\">\u00abFotogra\ufb01ar con pal\u00adabras: Arman\u00addo Salas Por\u00adtu\u00adgal y la mul\u00adti\u00adme\u00addi\u00adal\u00adi\u00addad tex\u00adtu\u00adal en la mod\u00adernidad est\u00e9ti\u00adca de M\u00e9x\u00adi\u00adco\u00bb es un proyec\u00adto sub\u00adven\u00adciona\u00addo por el depar\u00adta\u00admen\u00adto de Dig\u00adi\u00adtale Lehre und Forschung (DLF) de la Uni\u00adver\u00adsi\u00addad de Z\u00farich, ori\u00aden\u00adta\u00addo a estu\u00addi\u00adantes, docentes e inves\u00adti\u00adgadores del Roman\u00adis\u00adches Sem\u00adi\u00adnar, que se intere\u00adsan por el estu\u00addio de pro\u00adduc\u00adciones est\u00e9ti\u00adcas inter y trans\u00adme\u00addi\u00adales en el cam\u00adpo de los Estu\u00addios Lit\u00ader\u00adar\u00adios y la Cul\u00adtura Visu\u00adal. Esta platafor\u00adma dig\u00adi\u00adtal bus\u00adca estim\u00adu\u00adlar el desar\u00adrol\u00adlo de enfo\u00adques te\u00f3ri\u00adco- metodol\u00f3gi\u00adcos trans\u00addis\u00adci\u00adpli\u00adnares en el tra\u00adba\u00adjo con el cor\u00adpus mul\u00adti\u00adme\u00addi\u00adal pro\u00adduci\u00addo por autores lati\u00adnoamer\u00adi\u00adcanos del siglo XX. Adem\u00e1s del tra\u00adba\u00adjo inno\u00advador con el mate\u00adr\u00adi\u00adal archi\u00advo: tex\u00adtos lit\u00ader\u00adar\u00adios, tes\u00adti\u00admo\u00adnios biogr\u00e1\ufb01\u00adcos, doc\u00adu\u00admen\u00adtos audio\u00advi\u00adsuales y ensayos cr\u00edti\u00adcos, esta platafor\u00adma quiere apor\u00adtar un instru\u00admen\u00adto did\u00e1c\u00adti\u00adco para la ense\u00f1an\u00adza supe\u00adri\u00ador en el cam\u00adpo de la Roman\u00eds\u00adti\u00adca. Esto incluye, adem\u00e1s, el cuida\u00addo y la orga\u00adni\u00adzaci\u00f3n sis\u00adtem\u00e1ti\u00adca de la platafor\u00adma, cuyo uso a largo pla\u00adzo garan\u00adti\u00adza par\u00adtic\u00adi\u00adpaci\u00f3n proac\u00adti\u00adva de los estu\u00addi\u00adantes en el dis\u00ade\u00f1o y desar\u00adrol\u00adlo del mate\u00adr\u00adi\u00adal de archivo.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: 'courier new', courier, monospace;\"><\/span><\/p>\n<p><br><span style=\"font-family: 'courier new', courier, monospace; font-size: 12pt;\"><strong>PORTAL DIGITAL<\/strong><\/span><br><span style=\"font-family: 'courier new', courier, monospace;\">Esta p\u00e1gi\u00adna web se con\u00adcibi\u00f3 como una platafor\u00adma que per\u00admite el acce\u00adso libre al doc\u00adu\u00admen\u00adtal com\u00adple\u00adto, mate\u00adri\u00adales de estu\u00addio rela\u00adciona\u00addos, tex\u00adtos de inves\u00adti\u00adgaci\u00f3n, e infor\u00adma\u00adci\u00f3n sobre futuras proyec\u00adciones. Alen\u00adta\u00admos a los pro\u00adfe\u00adsores uni\u00adver\u00adsi\u00adtar\u00adios y de cole\u00adgios a incor\u00adpo\u00adrar el doc\u00adu\u00admen\u00adtal en sus clases, e invi\u00adta\u00admos a las insti\u00adtu\u00adciones intere\u00adsadas a con\u00adtac\u00adtarnos si quieren proyec\u00adtar el documental.<\/span><\/p>\n<p>&nbsp;<\/p>\n\n<div class=\"wp-block-spacer\" style=\"height: 100px;\" aria-hidden=\"true\">&nbsp;<\/div>\n<p>&nbsp;<\/p>\n\n<h1 style=\"background-color: lightgoldenrodyellow;\">Colaboradores<\/h1>\n<p>&nbsp;<\/p>\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"461\" class=\"wp-image-429\" src=\"https:\/\/dlf.uzh.ch\/sites\/repertoriomultimedia\/files\/2020\/04\/Logos-1024x461.png\" alt srcset=\"https:\/\/dlf.uzh.ch\/sites\/salasportugal\/files\/2020\/04\/Logos-1024x461.png 1024w, https:\/\/dlf.uzh.ch\/sites\/salasportugal\/files\/2020\/04\/Logos-300x135.png 300w, https:\/\/dlf.uzh.ch\/sites\/salasportugal\/files\/2020\/04\/Logos-768x346.png 768w, https:\/\/dlf.uzh.ch\/sites\/salasportugal\/files\/2020\/04\/Logos.png 1239w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\"><\/figure>\n\n<\/div>\n<br>\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<\/div>\n<br>\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">&nbsp;<\/div>\n\n<\/div>\n<p>&nbsp;<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text css_animation=\u201czoomIn\u201d el_class=\u201ctext-justify\u201d] &nbsp; &nbsp; \u00abSi fotogra\ufb01ar es pin\u00adtar con luz, escribir es fotogra\ufb01ar con pal\u00adabras\u00bb. Con esta asev\u00aderaci\u00f3n, el fot\u00f3\u00adgrafo mex\u00adi\u00adcano Arman\u00addo Salas Por\u00adtu\u00adgal (Mon\u00adter\u00adrey, 1916 \u2013 Ciu\u00addad de M\u00e9x\u00adi\u00adco, 1995) de\ufb01ni\u00f3 su visi\u00f3n per\u00adson\u00adal sobre las inter\u00adac\u00adciones entre la ima\u00adgen y la escrit\u00adu\u00adra, como un pro\u00adced\u00adimien\u00adto inter\u00adme\u00addi\u00adal&nbsp;para\u2026&nbsp;<\/p>\n","protected":false},"author":600,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"wp_typography_post_enhancements_disabled":false,"_FSMCFIC_featured_image_caption":"","_FSMCFIC_featured_image_nocaption":null,"_FSMCFIC_featured_image_hide":null,"footnotes":""},"class_list":["post-15","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/dlf.uzh.ch\/sites\/salasportugal\/wp-json\/wp\/v2\/pages\/15","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dlf.uzh.ch\/sites\/salasportugal\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/dlf.uzh.ch\/sites\/salasportugal\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/dlf.uzh.ch\/sites\/salasportugal\/wp-json\/wp\/v2\/users\/600"}],"replies":[{"embeddable":true,"href":"https:\/\/dlf.uzh.ch\/sites\/salasportugal\/wp-json\/wp\/v2\/comments?post=15"}],"version-history":[{"count":28,"href":"https:\/\/dlf.uzh.ch\/sites\/salasportugal\/wp-json\/wp\/v2\/pages\/15\/revisions"}],"predecessor-version":[{"id":1422,"href":"https:\/\/dlf.uzh.ch\/sites\/salasportugal\/wp-json\/wp\/v2\/pages\/15\/revisions\/1422"}],"wp:attachment":[{"href":"https:\/\/dlf.uzh.ch\/sites\/salasportugal\/wp-json\/wp\/v2\/media?parent=15"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}