{"id":160,"date":"2015-07-22T10:32:09","date_gmt":"2015-07-22T09:32:09","guid":{"rendered":"http:\/\/www.phil.uzh.ch\/elearning\/blog\/kunstsnm\/?post_type=glossary&#038;p=160"},"modified":"2015-07-22T10:32:09","modified_gmt":"2015-07-22T09:32:09","slug":"salve-regina","status":"publish","type":"glossary","link":"https:\/\/dlf.uzh.ch\/sites\/kunstsnm\/glossary\/salve-regina\/","title":{"rendered":"Salve Regina"},"content":{"rendered":"<p>&#xC4;ltestes der vier marianischen Antiphone (an Gottesmutter gerichtete Ges&#xE4;nge), urspr. gesungener Bittgruss, neben dem Ave Maria wichtigstes Mariengebet.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#xC4;ltestes der vier marianischen Antiphone (an Gottesmutter gerichtete Ges&#xE4;nge), urspr. gesungener Bittgruss, neben dem Ave Maria wichtigstes Mariengebet.<\/p>\n","protected":false},"author":274,"featured_media":0,"menu_order":0,"template":"","meta":{"footnotes":""},"class_list":["post-160","glossary","type-glossary","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/dlf.uzh.ch\/sites\/kunstsnm\/wp-json\/wp\/v2\/glossary\/160","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dlf.uzh.ch\/sites\/kunstsnm\/wp-json\/wp\/v2\/glossary"}],"about":[{"href":"https:\/\/dlf.uzh.ch\/sites\/kunstsnm\/wp-json\/wp\/v2\/types\/glossary"}],"author":[{"embeddable":true,"href":"https:\/\/dlf.uzh.ch\/sites\/kunstsnm\/wp-json\/wp\/v2\/users\/274"}],"version-history":[{"count":1,"href":"https:\/\/dlf.uzh.ch\/sites\/kunstsnm\/wp-json\/wp\/v2\/glossary\/160\/revisions"}],"predecessor-version":[{"id":161,"href":"https:\/\/dlf.uzh.ch\/sites\/kunstsnm\/wp-json\/wp\/v2\/glossary\/160\/revisions\/161"}],"wp:attachment":[{"href":"https:\/\/dlf.uzh.ch\/sites\/kunstsnm\/wp-json\/wp\/v2\/media?parent=160"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}