{"id":865,"date":"2021-05-12T23:53:26","date_gmt":"2021-05-12T23:53:26","guid":{"rendered":"https:\/\/dlf.uzh.ch\/sites\/camposanto\/?p=865"},"modified":"2021-07-26T08:45:50","modified_gmt":"2021-07-26T08:45:50","slug":"giovan-battista-totti-dialogo-sul-camposanto-1593","status":"publish","type":"post","link":"https:\/\/dlf.uzh.ch\/sites\/camposanto\/giovan-battista-totti-dialogo-sul-camposanto-1593\/","title":{"rendered":"Giovan Battista Totti, Dialogo sul Camposanto<\/em> (1593)"},"content":{"rendered":"
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In this unpublished manuscript from 1593, Giovan Battista Totti writes a dialogue concerning the Camposanto. Totti was a canon of the Cathedral of Pisa for about 30 years between 1567 and 1595. In choosing to write a dialogue, Totti followed the taste of his time. This dialogue was only accessible in a series of manuscripts, and remained relatively obscure. The original is now lost, but several copies still exist. One of them is in the Archivio Capitolare Pisano, from which the following passage is transcribed. Three additional copies are in the Biblioteca Universitaria, and one is in the Archivio di Stato di Pisa. The <\/em>Dialogo\u00a0is an important source on the Camposanto and its frescoes at the end of the sixteenth century.<\/em>
\nEducated in theology, Totti knew the writings of the Fathers of the Church as well as of antiquity. He was familiar with commentaries on the scriptures, medieval collections of ascetic sermons, saints\u2019 lives, and even rabbinic writings. Through his position as canon, he had access to many documents concerning the religious and civic history of Pisa. At the time of the publication of the <\/em>Dialogo, Giorgio Vasari\u2019s <\/em>Lives of the Most Excellent Painters, Sculptors, and Architects\u00a0(1550, 1568) had already been published, and Totti\u2019s references to this work reveal his familiarity with it. Still, Totti followed a personal approach that honours the local tradition, drawing on his direct knowledge of the paintings from visits to the Camposanto throughout all the years he was a canon of the Cathedral of Pisa.<\/em>
\nThe protagonists of the <\/em>Dialogo are a priest who, like Totti, is a man of the church, and two pilgrims coming from France. The priest serves as a guide for the pilgrims. The dialogue has a religious and moral message, as the protagonists mostly talk about the frescoes which serve to communicate a moral lesson. An example of this kind of reading of the frescoes in the Camposanto is the interpretation of the Triumph of Death in which the priest sees the three dead bodies as representing different stages of a sinful life. The corpse that is least decomposed stands for the sinner when he is twenty years old, still torn between good and bad. The second corpse represents the forty-year-old sinner, who has already fallen into sin without any hope of turning his life around. The third corpse is the sinner who is close to death and has completely lost anything that was once good in him.
\n<\/em>The following excerpt of the <\/em>Dialogo tells of the war in Palestine and the situation of the Pisans during the Third Crusade. Totti describes how the holy earth was brought from Jerusalem to the Camposanto in Pisa by Archbishop Ubaldo, who took part in the crusade. He writes about the building of the Camposanto, starting in the year 1200 with the efforts of Archbishop Ubaldo. Interestingly, he says that the earth came to Pisa in three separate loads and was distributed accordingly in the Camposanto. After this historical introduction, Totti has the aforementioned protagonists speak about the Camposanto. They all seem to be in high admiration of the building. But that is not all. They also talk about the power of the holy earth in the Camposanto. By describing how the earth can quickly decompose not only bodies, but also stones, its magical power is made clear. \/ SB<\/em><\/p>\n

Source:<\/strong> Unpublished manuscript. Pisa, Archivio Capitolare Pisano, ms C. 43 (transcription by Michele Bacci).<\/span><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]\n

[c. 6v-7r, durante la terza crociata, dopo la morte di Federico Barbarossa, i Pisani guidano la spedizione navale durante l\u2019assedio di Tolemaide]\n<\/strong>Dall\u2019altra banda li potenti armati essendo andati costeggiando l\u2019Asia messi genti nella terra della Palestina essendone stato fatto capo Ubaldo Arcivescovo di Pisa vi ridusse in diverse scorrerie fino presso Jerusalem, et qui bench\u00e9 havesse alcuna controversia di soldati del presidio lasciatovi dal Saladino et di gi\u00e0 personalmente s\u2019era transferito al soccorso di Tolemaide assediata da Filippo et Riccardo insieme, e diverse natione del populo Christiano Acco, l\u2019Arcivescovo havendo costretto il presidio della citt\u00e0 a starsi ristretti nelle sue mura hebbi comodit\u00e0 in quella impresa del Monte Calvario, et \u00e0 perpetua memoria fece levare di quella terra certa quantit\u00e0, dove stette la croce di nostro Signore, et mandatone molti corbi et somari carichi all\u2019armata la mand\u00f2 per certo vasello al Capitolo et Repubblica Pisana, ed avvis\u00f2 che quella era di quella terra del campo, dove il Signore fu crocifisso.
\nUbaldo ritornato a Pisa con la gente, che salvata haveva da quell\u2019assedio, a sue spese compr\u00f2 certe case che in quel luogo erano con un poco d\u2019orto aspettanti al Capitolo et havendole spiantate vi sparse sopra quella terrasanta del campo, ove il Signore fu crocifisso, et ne fece il proprio campo, che \u00e8 l\u2019uno de\u2019 tre chiostri, che in esso vederete, \u00e0 reverenza spartola in quel luogo, dond\u2019era stata cavata, ponendogli nome Camposanto per haverlo benedetto con quella solennit\u00e0 che \u00e0 tal cosa s\u2019appartiene. Poi nell\u2019anno 1200 il detto Arcivescovo dette principio all\u2019edificazione di quest\u2019edifizio, il quale fu fornito per spatio di tempo si come per l\u2019istesso epitaffio havete letto, et per poco doppo \u00e0 quest\u2019anni mandate due altre navi, nel tempo del dominio, et i Pisani hebbero di terra santa, nella quale fabbricorno quel nobil castello, et [c. 8r] fin\u2019alli nostri giorni vi si vede in piedi, ove sta presidio del Turcho, perci\u00f2 mi fa pensare che ella sia stata cos\u00ec compartita, in tre partiti, poich\u00e9 l\u2019Arcivescovo Ubaldo ne port\u00f2 una parte, et l\u2019altra fu condotta in due volte da navi grosse, le quali possono essere state compartite, et sparso la terra in tre lati, come havete inteso, hora in quello stesso giorno, et Ubaldo fond\u00f2 il Camposanto, et il popolo pisano dette principio all\u2019Arsenale\u2026<\/p>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text][c. 6v-7r, during the Third Crusade, after the death of Frederick Barbarossa, the Pisans led the expedition at sea during the siege of Acre (Ptolemais)]<\/strong><\/p>\n

On the other side, the powerful army, having gone up the coast of Asia, put people on the land of Palestine, and Archbishop Ubaldo was engaged in diverse raids up to Jerusalem. There he had some skirmishes with soldiers of Saladin who were sent for protection and had personally rushed to protect Acre (Ptolemais), besieged by Philip and Richard and by many Christian nations.<\/p>\n

 <\/p>\n

After forcing the garrison to stay inside the walls, he took a certain amount of earth from Calvary, where the cross of our Lord stood, for eternal remembrance, and sent many carts and donkeys to the fleet, and sent it with a safe fleet to the chapter and the Republic of Pisa, saying that it was the earth from the field where our Lord was crucified.<\/p>\n

 <\/p>\n

Ubaldo returned to Pisa with the people he had saved from the siege and bought at his own expense some houses in that place with a small garden adjacent to the chapter.\u00a0After leveling the ground, he distributed the holy earth from the field where the Lord was crucified and made a field of his own, which is one of the three cloisters that they will see and reverently divided the place and called it Camposanto to bless it with the appropriate consecration, as it belongs to that cause.
\nThen, in 1200, that same Archbishop began the construction of the building, which served for some time, as the epitaph reads. And shortly after, two more ships were sent and the Pisans conquered the holy land, where they built this noble castle. Until our days you can see where they went on foot, where the territory of the Turks is, that is why I think that the land was divided in three and Archbishop Ubaldo brought part of it and the other part was brought in two big ships and then the earth was divided in three sides, as may be understood, and on the same day Ubaldo founded the Camposanto and the Pisan people started the Arsenal…[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]\n

[c. 8r-8v, ammirazione del Camposanto]<\/strong> Pell. <\/em>O che mirabile, et dilettevole edifitio, o sopra tutti gl\u2019altri cimiterii bellissimo. Comp<\/em>. Non meno restiamo ammirati della sua belt\u00e0, et della contrariet\u00e0 che sogliono indurre gli altri luoghi, ove i corpi nostri si seppelliscono. Pell<\/em>. Non \u00e8 maraviglia per certo s\u00ec come questo di bellezza avanza gl\u2019altri per conseguenza insieme ha da superargli di condictione. Campagno. <\/em>Veramente cos\u00ec \u00e8, perch\u00e9 negl\u2019altri toscani cimiterii l\u2019orrore delle tant\u2019ossa c\u2019hanno atterriti, et in questo per contro ci siamo rallegrati. Prete<\/em>. Forse l\u2019ossa che negl\u2019altri si vedono cagionano tal\u2019effetto, la qual cosa in questo non succede, per consummarsi con la carne et l\u2019ossa in tutto [\u2026].<\/p>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text]\n

[c. 8r-8v, Admiration of the Camposanto]<\/strong>
\nPilgrim<\/em>: Oh, what a wonder and what a delightful building, more beautiful than any other cemetery. Companion<\/em>: Not only do we admire the beauty, but also the contrast that evokes other places where our bodies are buried. Pilgrim:<\/em> Surely this is no wonder, for this one is ahead of the others in beauty and deserves a higher judgment. Companion<\/em>: Indeed, it is so, because in the other Tuscan cemeteries we were frightened by the bones, in this one, on the contrary, we rejoice. Priest<\/em>: Perhaps the bones cause this effect in the others, because there the bones and the flesh are not completely decomposed […].<\/p>\n

\u00a0[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]\n

[cc. 239v-240v, descrizione della \u201cterrasanta\u201d]\n<\/strong><\/p>\n

Comp. Perch\u00e9 stanno queste urne antiche cos\u00ec poste intorno a questo chiostro? Pell. Sono del pubblico, o de\u2019 particolari? Prete<\/em>. Di pi\u00f9 prove sono converse (?) erono prima e fuori del campo santo attorno alla chiesa maggiore prima che si gli facessoro le gradelle le quali messoro per dove \u00e8 la terra santa la qual terra s\u00ec come io vi dissi al principio del nostro ragionamento posta in questi tre quadri per esservi stata portata in tre volte da Hierusalem nella citt\u00e0, la quale consuma non solamente la carne, ma l\u2019ossa, et assai volte si trova esser consumata la carne prima che i panni. Io mi son ritrovato pi\u00f9 volte a vedere l\u2019effetto, et vedete questo osso scoperto e questa parte che tocca la terra: vedete che \u00e8 terra, et questo di sopra che \u00f2 all\u2019aria \u00e8 sodo, e se tra tre giorni tornaste qui hora che l\u2019ho coperto con la terra lo trovereste convertito in terra, questa benedetta terra non solamente consuma l\u2019ossa ma rode l\u2019altra terra che vi si pone, consuma [c. 240r] fino alli sassi, in essa vi si notano i sepolcri che sotto questi anditi son pieni di corpi, et in tre o quattro giorni son tutti terra, non mai esce da questo campo puzzo dal corpo che vi \u00e8 posto e quando da questi avelli esce fetore alcuno preso un pugno di questa terra et posto \u00e0 questo fetore di subbito passa quel fetore, questo cumulo di terra che sopra accansa (?) alquanto la terra del campo santo quando si fece questo sepolcro del Buoncompagno tutti quelli calcinacci le scaglie et terra cavata per il fondamento si pose in questo luogo et era alta pi\u00f9 di un huomo et hoggi \u00e0 poco \u00e0 poco \u00e8 avvallata quasi che \u00e8 niente come vedete, ma quello che \u00e8 degno di considerazione \u00e8 che la terra del continuo abassa di tutti quanti tre campi come vedete et quelle pietre poste al secondo quadro da i portoghesi erano al pari delle gradelle, et hoggi non solo sono annullate et appena si vedono ma si vanno consumando, et in breve diventeranno terra. Nel notare un sepolcro d\u2019una confraternit\u00e0 nel quale non capivano pi\u00f9 corpi vi fu di quattro giorni avanti posta una fanciullina di 4 anni la quale conoscevo, et spesso alla porta s\u00ec gli dava una limosina fu vota (?) per sepolcro et fatto \u00e0 caso come avvenne per accortezza di simili che fanno quest\u2019arte scoperta la met\u00e0 del capo \u00e0 questa fanciulletta fuora della terra santa, doppo \u00e0 5 o 6 giorni \u00e0 caso passando religiosi di qui veddero quel capo. Guard.<\/em> Io mi ritrovai a cavarlo, questo. Tutto quello che era stato nella terra era consumato fin\u2019agli occhi et la fronte con parte del capo, et haveva la carne viva [c. 240v] et la rete con un poco di ghirlanda di fiori et il bocciolo in capo senza mancamento. Prete<\/em>. Il guardiano ha detto quello che dir volevo io. Pellegrino<\/em>. Cosa in verit\u00e0 degna di considerazione.\u201c<\/p>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text][cc. 239v-240v, description of the “Sacred Earth”]<\/strong><\/p>\n

Companion<\/em>: Why are these ancient urns inside this cloister? Pilgrim<\/em>: Do they belong to the people, or are they certain individuals? Priest<\/em>: Of a few it is certain that they were moved and were first placed outside the Camposanto around the Cathedral before the steps were made where the holy earth is, which, as I said at the beginning of our discussion, is placed in these three fields because it was brought in three loads from Jerusalem to the city and decomposes not only the flesh but also the bones and many times it has turned out that the flesh decomposed before the clothes. I found myself seeing this effect and seeing the bone where it touches a part of the ground: behold that this is earth, and that the earth in the air is solid, and if you were to return in three days, what I have covered with earth would have become earth. This blessed earth not only makes the bones decay, but it consumes other earth that lies in it and stones. What should also be mentioned is that graves that are in it, full of corpses, have completely turned to earth in three or four days. Stench never comes from this field from the corpses that lie there, and if any stench appears, then take a handful of the earth and put it on the stinking part and the stench immediately goes away. This pile of earth that rose above some of the earth of the Camposanto was made when the tomb of Buoncompagno was made and the rubble, the splinters and the excavated earth for the foundation was laid out in this place and was taller than a man; now, however, it has sunk in, piece by piece so that you can’t see any of it anymore. But what is worth considering is that the earth continues to sink in all three fields as you can see and the stones that were placed by the Portuguese in the second field and were like steps have now disappeared and are barely visible and will become earth in a short time. I would like to point out that four days ago, in a tomb of the confraternity where there were no more bodies, a little girl I knew was buried. And often a little money was given to him at the entrance and as if by chance through the cunning of those who practice this craft, half of the girl’s head remained uncovered and protruded from the holy earth and after five or six days, believers passing by discovered the head. Guard<\/em>: I found myself with that corpse. Everything that was in the earth was decomposed up to the eyes and the forehead. Priest:<\/em>The guard said what I wanted to hear from him. Pilgrim<\/em>: That is indeed worth considering.<\/p>\n

\u00a0<\/strong>[\/vc_column_text][\/vc_column][\/vc_row]\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text] In this unpublished manuscript from 1593, Giovan Battista Totti writes a dialogue concerning the Camposanto. Totti was a canon of the Cathedral of Pisa for about 30 years between 1567 and 1595. In choosing to write a dialogue, Totti followed the taste of his time. This dialogue was only accessible in a series of […]<\/p>\n","protected":false},"author":541,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13,27,1],"tags":[],"class_list":["post-865","post","type-post","status-publish","format-standard","hentry","category-16th-century","category-guidebook","category-italian"],"_links":{"self":[{"href":"https:\/\/dlf.uzh.ch\/sites\/camposanto\/wp-json\/wp\/v2\/posts\/865","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dlf.uzh.ch\/sites\/camposanto\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dlf.uzh.ch\/sites\/camposanto\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dlf.uzh.ch\/sites\/camposanto\/wp-json\/wp\/v2\/users\/541"}],"replies":[{"embeddable":true,"href":"https:\/\/dlf.uzh.ch\/sites\/camposanto\/wp-json\/wp\/v2\/comments?post=865"}],"version-history":[{"count":21,"href":"https:\/\/dlf.uzh.ch\/sites\/camposanto\/wp-json\/wp\/v2\/posts\/865\/revisions"}],"predecessor-version":[{"id":1499,"href":"https:\/\/dlf.uzh.ch\/sites\/camposanto\/wp-json\/wp\/v2\/posts\/865\/revisions\/1499"}],"wp:attachment":[{"href":"https:\/\/dlf.uzh.ch\/sites\/camposanto\/wp-json\/wp\/v2\/media?parent=865"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dlf.uzh.ch\/sites\/camposanto\/wp-json\/wp\/v2\/categories?post=865"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dlf.uzh.ch\/sites\/camposanto\/wp-json\/wp\/v2\/tags?post=865"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}