{"id":1202,"date":"2021-05-24T19:32:15","date_gmt":"2021-05-24T19:32:15","guid":{"rendered":"https:\/\/dlf.uzh.ch\/sites\/camposanto\/?post_type=te_announcements&#038;p=1202"},"modified":"2021-05-24T19:32:15","modified_gmt":"2021-05-24T19:32:15","slug":"andrea-da-firenzes-and-antonio-venezianos-ranieri-cycle-1376-1384","status":"publish","type":"te_announcements","link":"https:\/\/dlf.uzh.ch\/sites\/camposanto\/announcement\/andrea-da-firenzes-and-antonio-venezianos-ranieri-cycle-1376-1384\/","title":{"rendered":"Andrea da Firenze\u2019s and Antonio Veneziano\u2019s Ranieri cycle (1376-1384)"},"content":{"rendered":"<p>In 1376, Pietro Gambacorta, <em>signore<\/em> of Pisa (1370-92), commissions a cycle dedicated to the life of San Ranieri, Pisa\u2019s most important local saint. The paintings are located on the right of the main entrance. Left unfinished at the death of Andrea da Firenze, the painter chosen by Gambacorta in 1379, the second part of the cycle is executed by Antonio Veneziano in 1384-86.<\/p>\n","protected":false},"parent":0,"template":"","class_list":["post-1202","te_announcements","type-te_announcements","status-publish","hentry"],"announcement_date":"Announcement Date: January 1, 1376","announcement_image":false,"_links":{"self":[{"href":"https:\/\/dlf.uzh.ch\/sites\/camposanto\/wp-json\/wp\/v2\/announcement\/1202","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dlf.uzh.ch\/sites\/camposanto\/wp-json\/wp\/v2\/announcement"}],"about":[{"href":"https:\/\/dlf.uzh.ch\/sites\/camposanto\/wp-json\/wp\/v2\/types\/te_announcements"}],"wp:attachment":[{"href":"https:\/\/dlf.uzh.ch\/sites\/camposanto\/wp-json\/wp\/v2\/media?parent=1202"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}