{"id":694,"date":"2024-12-06T07:20:19","date_gmt":"2024-12-06T06:20:19","guid":{"rendered":"https:\/\/dlf.uzh.ch\/sites\/artashistoricalresearch\/?page_id=694"},"modified":"2025-04-08T13:55:41","modified_gmt":"2025-04-08T11:55:41","slug":"cartography","status":"publish","type":"page","link":"https:\/\/dlf.uzh.ch\/sites\/artbasedhistory\/cartography\/","title":{"rendered":"Cartography"},"content":{"rendered":"\n<h2 class=\"wp-block-heading has-text-color has-link-color has-x-large-font-size wp-elements-c8165014113ac1c75e8e9e0096bf710e\" style=\"color:#4f2915\">Counter-Mapping as an Analytical Practice<\/h2>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-color has-link-color wp-elements-12cb3ad6a2522e1237c3c1cf3175de2c\" style=\"color:#4f2915;font-size:25px\"><strong>Maps are powerful tools to represent and codify spatial and social relations between places, objects, persons and stories. Exploring different historical practices of spatial representation, participants have reflected on the design choices cartographers of different cultures make in mapping their world. Exercises of \u201ccounter-mapping\u201d\u2013\u2013representing that which is not commonly mapped\u2013\u2013sharpens the attention to that which did not make it onto the conventional map.<\/strong><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large wp-duotone-rgb000-rgba25521210303-1\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"668\" src=\"https:\/\/dlf.uzh.ch\/sites\/artashistoricalresearch\/files\/2024\/11\/Captura-de-pantalla-2024-11-13-a-las-03.02.37-1024x668.png\" alt=\"\" class=\"wp-image-243\" srcset=\"https:\/\/dlf.uzh.ch\/sites\/artbasedhistory\/files\/2024\/11\/Captura-de-pantalla-2024-11-13-a-las-03.02.37-1024x668.png 1024w, https:\/\/dlf.uzh.ch\/sites\/artbasedhistory\/files\/2024\/11\/Captura-de-pantalla-2024-11-13-a-las-03.02.37-300x196.png 300w, https:\/\/dlf.uzh.ch\/sites\/artbasedhistory\/files\/2024\/11\/Captura-de-pantalla-2024-11-13-a-las-03.02.37-768x501.png 768w, https:\/\/dlf.uzh.ch\/sites\/artbasedhistory\/files\/2024\/11\/Captura-de-pantalla-2024-11-13-a-las-03.02.37-1536x1002.png 1536w, https:\/\/dlf.uzh.ch\/sites\/artbasedhistory\/files\/2024\/11\/Captura-de-pantalla-2024-11-13-a-las-03.02.37.png 1659w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Fig. 2.1.1: &#8220;Horse mapping&#8221; by stick chart, Lea van der Weide 2024.<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading has-text-color has-link-color wp-elements-2b7df88841d550725dbc02d01e1b6cac\" style=\"color:#4f2915;font-size:32px\">Lea van der Weide: Horse-Mapping and Stick-Charting<\/h2>\n\n\n\n<p class=\"has-text-color has-link-color wp-elements-d0296d58e4765c0d9e3494ba235ca810\" style=\"color:#4f2915;font-size:23px\">Lea van der Weide revisits a familiar landscape through the animal spatial sensory, expressed in the manner of a Marshallese stick chart from the nineteenth century. Mapping a horse ride through the olfactory perception of a horse, she offers an alternative cartography of a landscape otherwise navigated with the help of Google maps. Re-mapping this environment with an attention to soil textures, botanic and scents\u2013\u2013horses avoid the smell of pigpens, for example\u2013\u2013and using physical objects to represent spatial relations, van der Weide asks what features of the landscape remain unseen by the geographies drawn up by humans of the digital age.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading has-text-color has-link-color wp-elements-775c855674247e2538671ac8f2c51bae\" style=\"color:#4f2915;font-size:32px\">Jenny N\u00fcesch: A Travel Diary of Pacific History<\/h2>\n\n\n\n<p class=\"has-text-color has-link-color wp-elements-0b1b033127d91efcadf5f443f0482d50\" style=\"color:#4f2915;font-size:23px\">Over the course of one semester, Jenny N\u00fcesch has mapped her intellectual journey across Pacific History by tracing trans-Oceanic migrations, kinship connections and (post-)colonial power relations. Like any map, hers puts relative accents on sites that matter in her personal exploration of Pacific pasts. <\/p>\n\n\n\n<p class=\"has-text-color has-link-color wp-elements-0e21706aec455252e653711c5a3b873c\" style=\"color:#4f2915;font-size:23px\">Foregrounding the island of Rapa Nui, Jenny reorganizes space according to the historical narratives that emerged from her research into the local experience of a single island in the vast ocean\u2013\u2013and it expresses the role of personal experience in the imagination of time and space.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-large wp-duotone-rgb53449-rgb255255254-2\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/dlf.uzh.ch\/sites\/artashistoricalresearch\/files\/2024\/11\/mappare_il_Pacifico-2-1024x1024.jpg\" alt=\"\" class=\"wp-image-246\" srcset=\"https:\/\/dlf.uzh.ch\/sites\/artbasedhistory\/files\/2024\/11\/mappare_il_Pacifico-2-1024x1024.jpg 1024w, https:\/\/dlf.uzh.ch\/sites\/artbasedhistory\/files\/2024\/11\/mappare_il_Pacifico-2-300x300.jpg 300w, https:\/\/dlf.uzh.ch\/sites\/artbasedhistory\/files\/2024\/11\/mappare_il_Pacifico-2-150x150.jpg 150w, https:\/\/dlf.uzh.ch\/sites\/artbasedhistory\/files\/2024\/11\/mappare_il_Pacifico-2-768x768.jpg 768w, https:\/\/dlf.uzh.ch\/sites\/artbasedhistory\/files\/2024\/11\/mappare_il_Pacifico-2-1536x1536.jpg 1536w, https:\/\/dlf.uzh.ch\/sites\/artbasedhistory\/files\/2024\/11\/mappare_il_Pacifico-2-2048x2048.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Fig. 2.1.2: Map Jenny N\u00fcesch: Mapping Pacific History 2023<\/figcaption><\/figure>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Counter-Mapping as an Analytical Practice Maps are powerful tools to represent and codify spatial and social relations between places, objects, persons and stories. Exploring different historical practices of spatial representation, participants have reflected on the design choices cartographers of different cultures make in mapping their world. Exercises of \u201ccounter-mapping\u201d\u2013\u2013representing that which is not commonly mapped\u2013\u2013sharpens [&hellip;]<\/p>\n","protected":false},"author":932,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-694","page","type-page","status-publish","czr-hentry"],"_links":{"self":[{"href":"https:\/\/dlf.uzh.ch\/sites\/artbasedhistory\/wp-json\/wp\/v2\/pages\/694","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dlf.uzh.ch\/sites\/artbasedhistory\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/dlf.uzh.ch\/sites\/artbasedhistory\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/dlf.uzh.ch\/sites\/artbasedhistory\/wp-json\/wp\/v2\/users\/932"}],"replies":[{"embeddable":true,"href":"https:\/\/dlf.uzh.ch\/sites\/artbasedhistory\/wp-json\/wp\/v2\/comments?post=694"}],"version-history":[{"count":10,"href":"https:\/\/dlf.uzh.ch\/sites\/artbasedhistory\/wp-json\/wp\/v2\/pages\/694\/revisions"}],"predecessor-version":[{"id":1404,"href":"https:\/\/dlf.uzh.ch\/sites\/artbasedhistory\/wp-json\/wp\/v2\/pages\/694\/revisions\/1404"}],"wp:attachment":[{"href":"https:\/\/dlf.uzh.ch\/sites\/artbasedhistory\/wp-json\/wp\/v2\/media?parent=694"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}