{"id":34,"date":"2021-12-25T16:30:32","date_gmt":"2021-12-25T15:30:32","guid":{"rendered":"https:\/\/dlf.uzh.ch\/openbooks\/amor\/part\/xiii-t-entlastung-1\/"},"modified":"2023-07-16T17:23:59","modified_gmt":"2023-07-16T15:23:59","slug":"xiii-t-entlastung-1","status":"publish","type":"part","link":"https:\/\/dlf.uzh.ch\/openbooks\/amor\/part\/xiii-t-entlastung-1\/","title":{"raw":"XIII Musik, die den Tod besiegt. Auxilium","rendered":"XIII Musik, die den Tod besiegt. Auxilium"},"content":{"raw":"Alle Subjekte sind orange<\/span>, alle Pr\u00e4dikate gelb<\/span> hinterlegt.\r\n\r\nDer AcI ist [<\/strong>eingeklammert]<\/strong>.\r\n\r\n
\r\n

Endlich steht Orpheus vor dem Thron von Proserpina und Pluto. Nun wird sich entscheiden, ob er und Eurydice eine zweite Chance bekommen. Er beginnt zu singen\u2026<\/em><\/p>\r\n\r\n\r\n

\r\n

\u00abO Proserpina\u00bb, inqu-it<\/span>, \u00abregina umbrarum!<\/p>\r\n

O domine ultimae dom\u016bs!<\/p>\r\n

Causa viae est<\/span> Eurydice<\/span>,<\/p>\r\n

quae<\/span> mortua est<\/em><\/span>.<\/p>\r\n

Quam in matrimonium dux-eram<\/span><\/em> felix,<\/p>\r\n

infelix<\/span> autem omen\u00a0<\/em>dies nuptiarum<\/em><\/span> attul-erat<\/span>.<\/p>\r\n

Paulo post serpens<\/em><\/span>,<\/p>\r\n

qui<\/span> latu-it<\/em><\/span> in herb\u0101,<\/p>\r\n

eam occid-it<\/span>.<\/p>\r\n

Quod posse pati<\/em> volu-i<\/span>,<\/p>\r\n

sed vic-it<\/span> Amor<\/span>.<\/p>\r\n

Itaque per Chaos<\/em> ingens or-o<\/span>:<\/p>\r\n

Retex-i-te<\/em><\/span> fata!<\/p>\r\n

Aut morte duorum gaude-te<\/span>.\u00bb<\/p>\r\n

Dum Orpheus<\/span> can-i-t<\/span>,<\/p>\r\n

umbrae<\/span> acced-u-nt<\/span>,<\/p>\r\n

quae<\/span> carmen audire cupi-u-nt<\/span>.<\/p>\r\n

Danaides<\/span> dolium <\/em>relinqu-u-nt<\/span>.<\/p>\r\n

Tantalus<\/span>,<\/p>\r\n

quem unda<\/span> semper fug-i-t<\/span>,<\/p>\r\n

bibere non iam vult<\/span>.<\/p>\r\n

Sisyphus<\/span> in saxo\u00a0<\/em>sede-t<\/span>.<\/p>\r\n

Eumenides ipsae<\/span>,<\/p>\r\n

quarum oculi<\/span> nesci-u-nt<\/span> flere,<\/p>\r\n

fle-nt<\/span> fata Eurydices.<\/p>\r\n

Carmen<\/span>,<\/p>\r\n

quod Orpheus<\/span> can-eba-t<\/span>,<\/p>\r\n

mov-it<\/span> et Proserpinam.<\/p>\r\n

Qui<\/span> ubi canere desi-it<\/em><\/span><\/p>\r\n

regina<\/span> Eurydicen vocav-it<\/span>.<\/p>\r\n

Iuss-it<\/span>\u00a0[<\/strong>Orpheum uxorem secum ducere]<\/strong><\/p>\r\n

et ei legem ded-it<\/span>:<\/p>\r\n

\u00abPrimus ire neque oculos retro<\/em> flectere<\/em> debe-s<\/span>!\u00bb<\/p>\r\n

Paulo post Eurydice<\/span> sola redi-it<\/span>.<\/p>\r\n

Narrav-it<\/span>:<\/p>\r\n

\u00abIam umbras reliqu-eramus<\/span>,<\/p>\r\n

iam viam paene\u00a0<\/em>perfec-eramus<\/span>,<\/p>\r\n

iam lucem vid-i<\/span>\u2026<\/p>\r\n

Ecce Orpheus<\/span>,<\/p>\r\n

quem cura uxoris<\/span> capi-eba-t<\/span>,<\/p>\r\n

oculos retro<\/em> flex-it<\/em><\/span>,<\/p>\r\n

me spectav-it<\/span>.<\/p>\r\n

Manum eius tenere volu-i<\/span>,<\/p>\r\n

sed umbrae<\/span> me ei eripu-erunt<\/span>.<\/p>\r\n

Ita iterum mortua sum<\/em><\/span>.<\/p>\r\n

Amore me inv\u0113n-it<\/span> Orpheus<\/span>,<\/p>\r\n

amis-it<\/span> me amore.\u00bb<\/p>\r\n\r\n\r\n

\r\n\r\n

Wortangaben<\/h2>\r\n

Chaos n <\/em>die Leere \u2014 desinere, desino, desii <\/em>aufh\u00f6ren \u2014 dolium <\/em>das Fass \u2014\u00a0in matrimonium ducere <\/em>heiraten \u2014 lat<\/em>\u0113<\/em>re, lateo, latui <\/em>verborgen sein \u2014 mortuus sum <\/em>ich bin gestorben \u2014 nuptiae, -arum f\u00a0<\/em>die Hochzeit \u2014 paene <\/em>beinahe \u2014 pati\u00a0<\/em>(Infinitiv) ertragen \u2014 retexere, retexo <\/em>neu weben \u2014 saxum\u00a0<\/em>der Stein \u2014 serpens m<\/em> die Schlange \u2014 retro flectere, flecto, flexi, flexum <\/em>r\u00fcckw\u00e4rts richten<\/p>\r\n\r\n\r\n

\r\n\r\n

Eigennamen<\/h2>\r\n

Eumenides<\/em> die Eumeniden sind Racheg\u00f6ttinnen \u2014 Eurydice<\/em>, Eurydicis<\/em>, Akk.: Eurydicen \u2014 Danaides <\/em>die f\u00fcnfzig T\u00f6chter des Danaos waren zwangsverheiratet worden und brachten ihre Ehem\u00e4nner in der Hochzeitsnacht um \u2014 Sisyphus<\/em> Sysiphos wird daf\u00fcr bestraft, dass er den Tod gefangengenommen hat \u2014 Tantalus <\/em>Tantalos hat den G\u00f6ttern, um sie zu testen, seinen eigenen Sohn als Braten vorgesetzt<\/p>","rendered":"

Alle Subjekte sind orange<\/span>, alle Pr\u00e4dikate gelb<\/span> hinterlegt.<\/p>\n

Der AcI ist [<\/strong>eingeklammert]<\/strong>.<\/p>\n

\n

Endlich steht Orpheus vor dem Thron von Proserpina und Pluto. Nun wird sich entscheiden, ob er und Eurydice eine zweite Chance bekommen. Er beginnt zu singen\u2026<\/em><\/p>\n

\n

\u00abO Proserpina\u00bb, inqu-it<\/span>, \u00abregina umbrarum!<\/p>\n

O domine ultimae dom\u016bs!<\/p>\n

Causa viae est<\/span> Eurydice<\/span>,<\/p>\n

quae<\/span> mortua est<\/em><\/span>.<\/p>\n

Quam in matrimonium dux-eram<\/span><\/em> felix,<\/p>\n

infelix<\/span> autem omen\u00a0<\/em>dies nuptiarum<\/em><\/span> attul-erat<\/span>.<\/p>\n

Paulo post serpens<\/em><\/span>,<\/p>\n

qui<\/span> latu-it<\/em><\/span> in herb\u0101,<\/p>\n

eam occid-it<\/span>.<\/p>\n

Quod posse pati<\/em> volu-i<\/span>,<\/p>\n

sed vic-it<\/span> Amor<\/span>.<\/p>\n

Itaque per Chaos<\/em> ingens or-o<\/span>:<\/p>\n

Retex-i-te<\/em><\/span> fata!<\/p>\n

Aut morte duorum gaude-te<\/span>.\u00bb<\/p>\n

Dum Orpheus<\/span> can-i-t<\/span>,<\/p>\n

umbrae<\/span> acced-u-nt<\/span>,<\/p>\n

quae<\/span> carmen audire cupi-u-nt<\/span>.<\/p>\n

Danaides<\/span> dolium <\/em>relinqu-u-nt<\/span>.<\/p>\n

Tantalus<\/span>,<\/p>\n

quem unda<\/span> semper fug-i-t<\/span>,<\/p>\n

bibere non iam vult<\/span>.<\/p>\n

Sisyphus<\/span> in saxo\u00a0<\/em>sede-t<\/span>.<\/p>\n

Eumenides ipsae<\/span>,<\/p>\n

quarum oculi<\/span> nesci-u-nt<\/span> flere,<\/p>\n

fle-nt<\/span> fata Eurydices.<\/p>\n

Carmen<\/span>,<\/p>\n

quod Orpheus<\/span> can-eba-t<\/span>,<\/p>\n

mov-it<\/span> et Proserpinam.<\/p>\n

Qui<\/span> ubi canere desi-it<\/em><\/span><\/p>\n

regina<\/span> Eurydicen vocav-it<\/span>.<\/p>\n

Iuss-it<\/span>\u00a0[<\/strong>Orpheum uxorem secum ducere]<\/strong><\/p>\n

et ei legem ded-it<\/span>:<\/p>\n

\u00abPrimus ire neque oculos retro<\/em> flectere<\/em> debe-s<\/span>!\u00bb<\/p>\n

Paulo post Eurydice<\/span> sola redi-it<\/span>.<\/p>\n

Narrav-it<\/span>:<\/p>\n

\u00abIam umbras reliqu-eramus<\/span>,<\/p>\n

iam viam paene\u00a0<\/em>perfec-eramus<\/span>,<\/p>\n

iam lucem vid-i<\/span>\u2026<\/p>\n

Ecce Orpheus<\/span>,<\/p>\n

quem cura uxoris<\/span> capi-eba-t<\/span>,<\/p>\n

oculos retro<\/em> flex-it<\/em><\/span>,<\/p>\n

me spectav-it<\/span>.<\/p>\n

Manum eius tenere volu-i<\/span>,<\/p>\n

sed umbrae<\/span> me ei eripu-erunt<\/span>.<\/p>\n

Ita iterum mortua sum<\/em><\/span>.<\/p>\n

Amore me inv\u0113n-it<\/span> Orpheus<\/span>,<\/p>\n

amis-it<\/span> me amore.\u00bb<\/p>\n

\n

Wortangaben<\/h2>\n

Chaos n <\/em>die Leere \u2014 desinere, desino, desii <\/em>aufh\u00f6ren \u2014 dolium <\/em>das Fass \u2014\u00a0in matrimonium ducere <\/em>heiraten \u2014 lat<\/em>\u0113<\/em>re, lateo, latui <\/em>verborgen sein \u2014 mortuus sum <\/em>ich bin gestorben \u2014 nuptiae, -arum f\u00a0<\/em>die Hochzeit \u2014 paene <\/em>beinahe \u2014 pati\u00a0<\/em>(Infinitiv) ertragen \u2014 retexere, retexo <\/em>neu weben \u2014 saxum\u00a0<\/em>der Stein \u2014 serpens m<\/em> die Schlange \u2014 retro flectere, flecto, flexi, flexum <\/em>r\u00fcckw\u00e4rts richten<\/p>\n

\n

Eigennamen<\/h2>\n

Eumenides<\/em> die Eumeniden sind Racheg\u00f6ttinnen \u2014 Eurydice<\/em>, Eurydicis<\/em>, Akk.: Eurydicen \u2014 Danaides <\/em>die f\u00fcnfzig T\u00f6chter des Danaos waren zwangsverheiratet worden und brachten ihre Ehem\u00e4nner in der Hochzeitsnacht um \u2014 Sisyphus<\/em> Sysiphos wird daf\u00fcr bestraft, dass er den Tod gefangengenommen hat \u2014 Tantalus <\/em>Tantalos hat den G\u00f6ttern, um sie zu testen, seinen eigenen Sohn als Braten vorgesetzt<\/p>\n","protected":false},"parent":0,"menu_order":1305,"template":"","meta":{"pb_part_invisible":null,"pb_part_invisible_string":"on"},"contributor":[],"license":[],"class_list":["post-34","part","type-part","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/dlf.uzh.ch\/openbooks\/amor\/wp-json\/pressbooks\/v2\/parts\/34"}],"collection":[{"href":"https:\/\/dlf.uzh.ch\/openbooks\/amor\/wp-json\/pressbooks\/v2\/parts"}],"about":[{"href":"https:\/\/dlf.uzh.ch\/openbooks\/amor\/wp-json\/wp\/v2\/types\/part"}],"version-history":[{"count":21,"href":"https:\/\/dlf.uzh.ch\/openbooks\/amor\/wp-json\/pressbooks\/v2\/parts\/34\/revisions"}],"predecessor-version":[{"id":4919,"href":"https:\/\/dlf.uzh.ch\/openbooks\/amor\/wp-json\/pressbooks\/v2\/parts\/34\/revisions\/4919"}],"wp:attachment":[{"href":"https:\/\/dlf.uzh.ch\/openbooks\/amor\/wp-json\/wp\/v2\/media?parent=34"}],"wp:term":[{"taxonomy":"contributor","embeddable":true,"href":"https:\/\/dlf.uzh.ch\/openbooks\/amor\/wp-json\/wp\/v2\/contributor?post=34"},{"taxonomy":"license","embeddable":true,"href":"https:\/\/dlf.uzh.ch\/openbooks\/amor\/wp-json\/wp\/v2\/license?post=34"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}